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Photography At The Threshold Atget Benjamin And Surrealism

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Photography at the Threshold: Atget, Benjamin and Surrealism

    https://www.academia.edu/6503902/Photography_at_the_Threshold_Atget_Benjamin_and_Surrealism#:~:text=It%20is%20argued%20that%20Benjamin%E2%80%99s%20surrealist%20reading%20of,of%20which%20he%20bound%20in%20a%20decorated%20album.
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Photography at the Threshold: Atget, Benjamin and Surrealism

    https://www.tandfonline.com/doi/full/10.1080/03087290903361365
    The well known but brief moment of surrealist reception of Atget was superseded when later and more influential writers viewed him instead as an important forerunner of documentary photography. To this end, surrealist meanings and values became occluded by various writers, while the poetic or ‘aesthetic’ features of the photographs were ...

Photography at the Threshold: Atget, Benjamin and …

    https://www.academia.edu/6503902/Photography_at_the_Threshold_Atget_Benjamin_and_Surrealism
    The photograph reproduced on the title page, which 88–113; the brief discussion of Atget and Surrealism in Ian Jeffrey, Photography, Atget had …

Photography at the Threshold: Atget, Benjamin and …

    https://www.researchgate.net/publication/249055080_Photography_at_the_Threshold_Atget_Benjamin_and_Surrealism
    It is argued that Benjamin's surrealist reading of Atget illuminates the way in which Atget's photographs thematise the transformation of aesthetic and social space, destabilising the fixed...

Photography at the Threshold: Atget, Benjamin and Surrealism

    https://www.tandfonline.com/doi/figure/10.1080/03087290903361365
    This paper re-evaluates the association between Eugène Atget and Surrealism by means of a reading of several essays by Walter Benjamin written during the 1920s and 1930s. The well known but brief m...

Photography at the Threshold: Atget, Benjamin and …

    https://www.semanticscholar.org/paper/Photography-at-the-Threshold%3A-Atget%2C-Benjamin-and-Macfarlane/713a94fc21287d32ab4c186df3b240e05427af3c
    This paper re-evaluates the association between Eugène Atget and Surrealism by means of a reading of several essays by Walter Benjamin written during the 1920s and 1930s. The well known but brief moment of surrealist reception of Atget was superseded when later and more influential writers viewed him instead as an important forerunner of documentary photography.

Walter Benjamin on Surrealism and Photography - Melanie Menard

    http://www.melaniemenard.com/walter-benjamin-on-surrealism-and-photography/
    To have pinpointed this new stage constitutes the incomparable significance of Atget, who, around 1900, took photographs of deserted Paris streets. It has quite justly been said of him that he photographed them like scenes of crime. The scene of a crime, too, is deserted; it is photographed for the purpose of establishing evidence.

Photography and Surrealism | Essay | The Metropolitan …

    https://www.metmuseum.org/toah/hd/phsr/hd_phsr.htm
    Published in La Révolution Surréaliste in 1926 at the suggestion of his neighbor, Man Ray, Atget’s images of vanished Paris were understood not as the work of a competent professional or a self-conscious artist but as the spontaneous visions of an urban primitive—the Henri Rousseau of the camera. In Atget’s photographs of the deserted streets of old Paris and of shop windows …

V&A · Surrealist Photography - Victoria and Albert Museum

    https://www.vam.ac.uk/articles/surrealist-photography
    Eugène Atget Only a year before his death, in 1926, Atget was approached by Man Ray for approval to use his photograph, L'Eclipse - Avril 1912 for the front cover of the publication La Révolution Surréaliste. Despite protestations that, "these are simply documents I make", Atget's rejection of artistic self-consciousness combined with his pictures of an old, often hauntingly …

Benjamin on Atget: Empty Streets and the Fading of Aura

    https://fordham.universitypressscholarship.com/view/10.5422/fordham/9780823262564.001.0001/upso-9780823262564-chapter-4
    When Benjamin associates the urban scene of Atget’s photographs with a Tatort, a crime scene, he has in mind a forensic reading that goes beyond the investigation of crime in the usual sense. He anticipates here the kind of phenomenology of urban space that he will later, in the book on Baudelaire, draw from Poe’s Dupin stories, where the urban milieu serves to signify not a moral …

Eugène Atget and Documentary Photography of the City

    https://www.semanticscholar.org/paper/Eug%C3%A8ne-Atget-and-Documentary-Photography-of-the-Rizov/10543b56524ea32449fe4acbb45e3d044d61c870
    This paper focuses on the documentary photography of Eugène Atget in late 19th and early 20th-century Paris. I will begin by exploring Atget’s position as a pioneering documentary photographer in the field, followed by an engagement with the urban environment of Paris, in which Atget worked almost exclusively. Finally, I will analyse a single photograph in depth while discussing …

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