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Elegant beauty: Tina Modotti and her radical photographs
- https://www.dw.com/en/elegant-beauty-tina-modotti-and-her-radical-photographs/g-60240755
- Famous roses This photograph of a bunch of roses is probably the most famous picture by Italian photographer Tina Modotti. A detail shot in black and white, the picture's cropping seems random. An...
Tina Modotti | Artnet
- https://artnet.com/artists/tina-modotti/
- Tina Modotti was an Italian-born photographer known for her skillful use of composition and shadow. Her most famous images captured the milieu of Mexico City between World War I and World War II, including portraits of artists and intellectuals such as …
Tina Modotti Photos and Premium High Res Pictures
- https://www.gettyimages.com/photos/tina-modotti
- 95 Tina Modotti Photos and Premium High Res Pictures - Getty Images Editorial Images Images Creative Editorial Video Creative Editorial FILTERS CREATIVE EDITORIAL VIDEO All Sports Entertainment News Archival Browse 95 tina modotti stock photos and images available, or start a new search to explore more stock photos and images.
Tina Modotti | MoMA
- https://www.moma.org/artists/4039
- Italian, 1896–1942 Works Exhibitions Publication Tina Modotti’s photographs blend formal rigor with social awareness. The Italian-born artist immigrated to the United States when she was 16. She acted in plays and silent films, and worked as an artist’s model during her first years in …
Tina Modotti Photographs Paperback – February 2, 1998
- https://www.amazon.com/Tina-Modotti-Photographs/dp/0944680526
- Tina Modotti Photographs Paperback – February 2, 1998 by Tina Modotti (Author), Robert Miller (Author), Spencer Throckmorton (Author), 1 rating Paperback $40.00 2 Used from $16.00 2 New from $40.00 Print length 66 pages Language English Publisher Robert Miller Gallery Publication date February 2, 1998 Dimensions 9.5 x 0.75 x 12.25 inches ISBN-10
Tina Modotti Photography, Bio, Ideas | TheArtStory
- https://www.theartstory.org/artist/modotti-tina/
- a carefully composed photograph of a bandolier, an ear of corn, and a sickle, married modotti's interest in the photographic still life with objects symbolic of mexico and the revolution - the sickle, a popular communist symbol, corn, a symbol of mexico and its rural farmers, and the bandolier (a pocketed belt for holding ammunition), the symbol …
Tina Modotti: Photographer Made Revolutionary | DailyArt …
- https://www.dailyartmagazine.com/tina-modotti/
- Her photographs were featured by the magazine El Machete, co-founded by Rivera. Moreover, Weston joined her soon after, and together they opened a photography studio. Weston photographed landscapes, and Modotti, people. Phase 5: The Communist Tina Modotti, Frida Kahlo and Chavela Vargas, Museum of Modern Art, New York, NY, USA.
Art prints by Tina Modotti - meisterdrucke.us
- https://www.meisterdrucke.us/artist/Tina-Modotti.html
- Tina Modotti could not do much with the term art or artist. She felt that this designation was an unfortunate use and always wanted to be understood only as a photographer. But her pictures were often quite spectacular. Photographs of furrowed faces or staircases that reflected abstract shapes were part of her repertoire.
Tina Modotti | Photography and Biography
- https://www.famousphotographers.net/tina-modotti
- Tina Modotti A versatile woman and an expert of photography at her time, Tina Modotti was born in 1896 and died in 1942. She was an Italian model, a political activist, an actress and a photographer. She was a multi-talented and courageous woman with much to offer to the three worlds she was in at different phases of her life.
Images that (Do Not) Exist. Tina Modotti & Photographs from the ...
- https://maifeminism.com/images-that-do-not-exist-tina-modotti-photographs-from-the-communist-world/
- They are similar to the almost 200 photographs that Tina took in Mexico. There are the portraits of women and men, the shapes of the city, the flowers, numerous details of bodies, the children, the symbols of struggle. The distance, the perspective, the composition, all are reminiscent of Tina’s photographs. But they lack the Mexican light.
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