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Photographs and the Sound of History - Academia.edu
- https://www.academia.edu/1306415/Photographs_and_the_Sound_of_History#:~:text=As%20such%2C%20they%20operate%20not%20only%20at%20a,oral%20history%2C%20linked%20to%20sound%2C%20gesture%20and%20relationships.
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PHOTOGRAPHS AND THE SOUND OF HISTORY - EDWARDS
- https://anthrosource.onlinelibrary.wiley.com/doi/abs/10.1525/var.2005.21.1-2.27
- This article explores the nature of photographs as relational objects in the making and articulating of histories. It argues that, in the contexts of indigenous and cross-cultural histories in Australia and elsewhere, photographs have a relational quality, occupying the spaces between people and people and people and things.
Photographs and the Sound of History - Academia.edu
- https://www.academia.edu/1306415/Photographs_and_the_Sound_of_History
- PHOTOGRAPHS AND THE SOUND OF HISTORY ELIZABETH EDWARDS This article explores the nature of photographs as relational objects in the making and articulating of histories. It argues that, in the contexts of indigenous and cross-cultural histories in Australia and elsewhere, photographs have a relational quality, occupying the spaces between people and people and …
Photographs and the Sound of History - ResearchGate
- https://www.researchgate.net/publication/230055573_Photographs_and_the_Sound_of_History
- Photographs become not simply visual history but crucially, oral history, linked to sound, gesture and relationships. Discover the world's research 20+ million members
PHOTOGRAPHS AND THE SOUND OF HISTORY - EDWARDS
- https://anthrosource.onlinelibrary.wiley.com/doi/pdf/10.1525/var.2005.21.1-2.27
- PHOTOGRAPHS AND THE SOUND OF HISTORY. ... As such, they operate not only at a visual level but become absorbed into other ways of telling history. Photographs become not simply visual history but crucially, oral history, linked to sound, gesture and relationships. Volume 21, Issue 1-2. March 2005. Pages 27-46.
PHOTOGRAPHS AND THE SOUND OF HISTORY
- https://www.deepdyve.com/lp/wiley/photographs-and-the-sound-of-history-TcBo304nYV
- PHOTOGRAPHS AND THE SOUND OF HISTORY EDWARDS, ELIZABETH 2005-03-01 00:00:00 This article explores the nature of photographs as relational objects in the making and articulating of histories. It argues that, in the contexts of indigenous and cross‐cultural histories in Australia and elsewhere, photographs have a relational quality, occupying the …
Photographs and the Sound of History – Elizabeth Edwards
- https://richarddalgleish.net/2022/05/09/photographs-and-the-sound-of-history-elizabeth-edwards/
- Photographs and the Sound of History – Elizabeth Edwards In some previous research, I explored the idea of a metonymic object such as hair while a photograph might be considered a sign rather than a metonymic object in its own right.
Photographs and the Sound of History - UAL Research …
- https://ualresearchonline.arts.ac.uk/id/eprint/1721/
- In this paper, photographs are not simply images or even ‘visual history; but oral history, linked to sound, gesture and social relationships. The exploration of these issues through Aboriginal histories, with their differently constituted modes of transmission, throws these issues into sharp relief purposefully, complicating western notions of indexically defined ‘photographic truth’.
PHOTOGRAPHS AND THE SOUND OF HISTORY
- https://www.semanticscholar.org/paper/PHOTOGRAPHS-AND-THE-SOUND-OF-HISTORY-Edwards/e7105fae722310ed66abc28fb176d4884a043871
- In this paper, photographs are not simply images or even ‘visual history; but oral history, linked to sound, gesture and social relationships. The exploration of these issues through Aboriginal histories, with their differently constituted modes of transmission, throws these issues into sharp relief purposefully, complicating western notions of indexically defined ‘photographic truth’.
The 100 most influential historical pictures of all time
- https://rarehistoricalphotos.com/100-influential-historical-pictures-all-time/
- The most widely seen images from 9/11 are of planes and towers, not people. Falling Man is different. The photo, taken by Richard Drew in the moments after the September 11, 2001, attacks, is one man’s distinct escape from the collapsing buildings, a symbol of individuality against the backdrop of faceless skyscrapers.
Reading Historical Photographs: What Can We See, …
- https://www.gpo.gov/docs/default-source/history-pdf-files/reading_historical_photographs.pdf?sfvrsn=2
- Photographs GPO’s historical photograph collection has something on the order of 10,000 images in prints, negatives, slides, and digital files. One of the responsibilities of the historian is to make the photos available, and to provide accurate, interesting information that illuminates and interprets the photos. What Can We See,
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