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André Kertész Photography, Bio, Ideas | TheArtStory
- https://www.theartstory.org/artist/kertesz-andre/
- Kertész felt that intuition was the best ingredient for creating poetic substance. "The moment always dictates in my work" he said. Though he became an accomplished and successful commercial photographer, especially in fashion photography, Kertesz felt that "professional virtuosity" was the enemy of art photography. He made a clear distinction ...
André Kertész | Hungarian-born American photographer
- https://www.britannica.com/biography/Andre-Kertesz
- André Kertész, original name Andor Kohn, (born July 2, 1894, Budapest [Hungary]—died September 28, 1985, New York, New York, U.S.), Hungarian-born American photographer known for his lyrical and formally rigorous pictures of everyday life. One of the most-inventive photographers of the 20th century, Kertész set the standard for the use of the handheld …
Photographer's Biography & Art Works - Huxley-Parlour …
- https://huxleyparlour.com/artists/andre-kertesz/
- B. Hungary 1894-1985. Biography. André Kertész is widely regarded as one of Europe’s leading photographic artists, particularly for his contribution to photographic composition and the photo-essay. The ‘purist’ phase in Kertész’s work, identified with his time in Paris and pieces such as Fork and Mondrian’s Glasses and Pipe (1926 ...
André Kertész | A Great Photographer Who Has …
- https://www.fotor.com/blog/andre-kertesz-a-great-photographer-who-has-influenced-cartier-bresson/
- André Kertész is a Hungarian-born American photographer, and is among the leading innovators in modern photography. A seminal photojournalist and pioneer of the photo essay, he influenced so many photographers including those most famous ones like Brassaï, Cartier-Bresson and W. Eugene Smith, and made a major contribution to lyrical street …
André Kertész Photography - Holden Luntz Gallery
- https://www.holdenluntz.com/artists/andre-kertesz/
- The year 1927 marked Kertesz’s first solo exhibition in Paris and it was in 1928 that he met a fellow Hungarian, Brassaï, whom he introduced to photography. Kertesz would go on to photograph many famous artists such as Piet Mondrian, Marc Chagall, Alexander Calder, and Constantin Brancusi. Buoyed by this accomplishment and inspired by the ...
André Kertész - 578 Artworks, Bio & Shows on Artsy
- https://www.artsy.net/artist/andre-kertesz
- Bio. An important influence on photography both as journalism and as art, André Kertész is known for the visual lyricism and humanism that characterized his practice. A Hungarian-born Frenchman, Kertész moved to New York in 1936, having spent 1925-1936 …. Established representation. Represented by industry leading galleries. Works for Sale ...
André Kertész | Artnet
- https://www.artnet.com/artists/andr%c3%a9-kert%c3%a9sz/
- André Kertész was a Hungarian photographer who emerged as one of the most influential practitioners of the medium. View André Kertész’s 4,432 artworks on artnet. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. See available photographs, prints and multiples, and works on paper for sale and learn about the …
André Kertész | Photography and Biography
- https://www.famousphotographers.net/andre-kertesz
- André Kertész was born in Budapest, Hungary, on July 2 nd, 1894 at a time when photography was undergoing radical changes and becoming available and accessible to more people.Indeed he was known as the father of modern photography and Henri Cartier Bresson said of him ‘we all owe something to Kertész’. He took his first photograph when he was 19 with a cheap box …
Dada Photographer André Kertész’s Distorted, Haunting …
- https://www.artsy.net/article/artsy-editorial-distorted-haunting-vision-dada-photographer-andre-kertesz
- US$5,000–US$7,500. Shadows, surprise, and a hint of the sinister define André Kertész ’s oeuvre. The Hungarian photographer filled his frames with dark humor and the eerie geometries of everyday life. His 1926 picture of a reclining dancer finds a visual rhyme in the twist of its subject’s legs and a torquing white sculpture beside her.
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