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Paul Strand Documentary Photography

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Paul Strand Photography, Bio, Ideas | TheArtStory

    https://www.theartstory.org/artist/strand-paul/
    Documentary Photography. Paul Strand . Summary. Accomplishments. Important Art . Wall Street (1915) Porch Shadows (1916) Blind Woman, New York (1916) Percé Beach, Gaspé, Québec (1929) Native Land (1942) The Lusetti Family, Luzzara, Italy (1953) ... Summary of Paul Strand.

Paul Strand | MoMA

    https://www.moma.org/artists/5685
    Paul Strand (October 16, 1890 – March 31, 1976) was an American photographer and filmmaker who, along with fellow modernist photographers like Alfred Stieglitz and Edward Weston, helped establish photography as an art form in the 20th century. ... Romania in 1960 and Morocco in 1962. In 1963-1964 Strand made a photo documentary of Ghana ...

Paul Strand | International Center of Photography

    https://www.icp.org/browse/archive/constituents/paul-strand
    Strand advocated "straight photography," and photographed street portraits to city scenes, machine forms, and plants with his distinctive clarity, precision, and geometric form. From 1904-09, he studied photography under Lewis Hine at the Ethical Culture School in New York, where he was born. Hine introduced Strand to Alfred Stieglitz, who ...

Paul Strand | Photography and Biography - Famous Photographers

    https://www.famousphotographers.net/paul-strand
    Born to Bohemian parents on 16 th October 1890, Strand spent his early years in New York City. He studied at Ethical Culture Fieldston School, New York, under the tutorship of Lewis Hine, a renowned documentary photographer.He was always interested in photography but his visit to Alfred Stieglitz and Edward Steichen‘s Little Galleries of the Photo-Secession at 291 Fifth …

Paul Strand – Photography and Film for the 20th Century

    https://monovisions.com/paul-strand-photography-and-film-for-the-20th-century/
    Blending fictional scenes and documentary footage, Native Land focuses on union-busting in the 1930s from Pennsylvania to the Deep South. ... Paul Strand – Photography and Film for the 20th Century 7 March, 2015 – 17 May, 2015. Fotomuseum Winterthur (Main Gallery + Gallery) Grüzenstrasse 44 8400 Winterthur Switzerland Website: www ...

How Paul Strand Paved the Way For Photographic Modernism

    https://www.anothermag.com/art-photography/8482/how-paul-strand-paved-the-way-for-photographic-modernism
    Paul Strand (1890–1976) is widely revered as one of the greatest photographers of the 20th century. He carved out the path for American modernism and with it, the way that documentary photography is practiced today. He was a fundamental figure in the recognition of photography as an art form, dedicating his entire life to the medium and its ...

The cool photographic gaze of Paul Strand | Christie's

    https://www.christies.com/features/Paul-Strand-a-collecting-guide-9766-1.aspx
    The path from documentary to art — with formal innovations ‘Paul Strand is one of the seminal photographers you study as an undergraduate and never forget,’ says Darius Himes, International Head of Photographs for Christie’s. Strand is credited with forging a path for photography from documentarian strictures to artful expression.

Paul Strand (1890–1976) | Essay | The Metropolitan Museum of …

    https://www.metmuseum.org/toah/hd/pstd/hd_pstd.htm
    The American artist Paul Strand had a long and productive career with the camera. ... (1920). In the 1930s, he became seriously involved with documentary film and, from the 1940s until the end of his life, he was committed to making photographic books of the highest quality. ... Strand was introduced to photography as a high school student at ...

How Paul Strand Photographed the “People’s History” - Big Think

    https://bigthink.com/articles/how-paul-strand-photographed-the-peoples-history/
    In 1907, Strand signs up for a class at the Ethical Culture School in New York City titled “Nature Study and Photography” taught by the …

Early Documentary Photography | Essay | The Metropolitan …

    https://www.metmuseum.org/toah/hd/edph/hd_edph.htm
    Paul Strand first visited Stieglitz’s Little Galleries of the Photo-Secession in 1907 as a student in a class taught by Lewis Hine. Hine’s photography was absolutely straightforward documentary, but at that time Stieglitz was promoting the gauzy Pictorialism of his Secessionist fellows.

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