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Brisbane based photographer

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Patrick Robert War Photographer

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1991 Patrick Robert SN2 - World Press Photo

    https://www.worldpressphoto.org/collection/photo/1991/33507/1/1991-Patrick-Robert-SN2
    Photographer Patrick Robert. Sygma. ... Founded as a haven for freed American slaves, present-day Liberia is torn by civil war as rebel groups fight each other and the government for power, victimizing the population in the process. More information about the photo Less information about the photo. About the photographer. Patrick Robert. Read ...

1991 Patrick Robert SNS-JJ | World Press Photo

    https://www.worldpressphoto.org/collection/photo/1991/33530/10/1991-Patrick-Robert-SNS-JJ
    1991 Patrick Robert SNS-JJ. 1991 Photo Contest Calendar; Collection; 2022 Contest ... Founded as a haven for freed American slaves, present-day Liberia is torn by civil war as rebel groups fight each other and the government for power, victimizing the population in the process. ... Photographer Patrick Robert. Sygma. 01 January, 1990 ...

1993 Patrick Robert SN2 | World Press Photo

    https://www.worldpressphoto.org/collection/photo-contest/1993/patrick-robert/1
    Photographer Patrick Robert. Sygma. 01 January, 1992. Children crowd around the body of a soldier suspected of murder and executed by firing squad. In an attempt to assert its authority in the face of systematic pillaging and random killings, the army had paraded the man through the streets before tying him up to be executed. ...

Patrick Robert | Warm Foundation

    http://www.warmfoundation.org/member/patrick-robert
    Patrick Robert is a French photographer. Copyright 2013 WARM Impressum

1991 Patrick Robert SN2 | World Press Photo

    https://www.worldpressphoto.org/collection/photo-contest/1991/patrick-robert-sn/1
    Patrick Robert. Sygma. 01 January, 1990. May-July. Refugees climb on trucks to leave the warzone, 20 km from Monrovia. Founded as a haven for freed American slaves, present-day Liberia is torn by civil war as rebel groups fight each other and the government for power, victimizing the population in the process. More information about the photo.

Interview With War Photographer Patrick Chauvel

    https://www.historynet.com/interview-with-war-photographer-patrick-chauvel/
    In the decades since, the veteran war photographer has photographed more than 20 conflicts, including the Vietnam War and the 1989–90 U.S. invasion of Panama. He likes to get close to the action and has the scars to prove it: a bullet lodged near his spine, a knife cut on his side and multiple shrapnel wounds from a mortar round explosion in 1974 during the …

9 War Photographers and Their Images That Moved …

    https://history.howstuffworks.com/world-history/war-photographers.htm
    It's hard to state in a few words the impact Robert Capa had on war photography. His most famous photo, "Death of a Loyalist Soldier" from 1936, earned him the label "the greatest war photographer in the world" by the British magazine Picture Post when he was just 25. The photo, taken at the beginning of the Spanish Civil War, shows the exact second a bullet hits a …

Patrick Robert James :::: Photographic Works

    http://patrickrobertjames.com/
    Patrick Robert James :::: Photographic Works

The “Shame of Memory” Haunts a War Photographer

    https://lens.blogs.nytimes.com/2013/09/09/the-shame-of-memory-haunting-war-photographers/
    Memory” Haunts a. War Photographer. PERPIGNAN, France — A 13th-century church is a fitting location for the exhibition of war photographs by Don McCullin, a man intent on paying public penance. Most photographers would be proud of the honors and accolades showered on Mr. McCullin at Perpignan’s Visa Pour l’Image festival this week.

The Making of War Photography — Blind Magazine

    https://www.blind-magazine.com/news/the-making-of-war-photography/
    The overflow of images we experience today dates back to World War I. The objective was to keep a visual record of the massacres and the horrors of war, as remembrance and testimony. As Anthony Petiteau pointed out, “photos taken during that period were reused and recontextualized by both pacifist and warmongering discourses.”.

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