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Optics for digital photography - SlideShare
- https://www.slideshare.net/Andrey_v/optics-for-digital-photography#:~:text=Optics%20for%20Digital%20Photography%20A%20White%20Paper%20The,f%20stop%2C%20picture%20sharpness%2C%20depth%20of%20field%2C%20etc.
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Optics for digital photography - SlideShare
- https://www.slideshare.net/Andrey_v/optics-for-digital-photography
- Optics for Digital Photography A White Paper The role of optics in conventional photography (with film materials) is very well known to professional photographers. They know how to correctly estimate the relative values of …
Optics for digital photography - [PDF Document]
- https://vdocument.in/optics-for-digital-photography.html
- 1. Optics for Digital PhotographyA White PaperThe role of optics in conventional photography (with film materials) is very well known to professionalphotographers. They know…
Optics for digital photography
- https://www.researchgate.net/publication/253572953_Optics_for_digital_photography
- Download Citation | Optics for digital photography | The role of optics in digital photography is in certain aspects quite different from that in conventional (silver-halide) photography. We first ...
Optics for Digital Photography - Schneider Kreuznach
- https://schneiderkreuznach.com/application/files/4115/0781/8894/optics-for-digital-photography.pdf
- Digital Photography Part I - Format Constraints Digital Photography Part II - The Limits of Image Sensors Lenses for Digital Photography -a New Series from Schneider Kreuznach 1. What is "Picture Sharpness"? Well, as an experienced photographer you will answer: the ability to resolve the finest details. The
What Are Optical and Digital Zoom in Photography?
- https://photographylife.com/what-is-zoom-in-photography
- Digital zoom is created in-camera, not using the lens’s optics. To do this, the camera crops into the centre of the image. Then the cropped …
Basic Optics For Photographers In 9 Diagrams - by Aukje - 35mmc
- https://www.35mmc.com/25/07/2016/basic-optics-photographers/
- In the diagram below you see the main light rays determining where an image is formed. A light ray coming from the top of the poppy and going through the centre of the lens will move in a straight line (ray 1). Light ray 2, which enters the lens parallel to the optical axis (the dashed line) will leave the lens going through the focal point (F1).
Optics & Photonics News - Physics of Digital Photography
- https://www.optica-opn.org/home/book_reviews/2018/0618/physics_of_digital_photography/
- Physics of Digital Photography. IOP Publishing Ltd, 2017; 329 pages; US$159.00 (hardcover) Although digital cameras are ubiquitous (as are books about them), few books take an overtly physics-based approach to digital photography. A freelance photographer with a Ph.D. in physics, Andy Rowlands combines a passion for photography with a passion ...
The Optics of Photography - Scientific American
- https://www.scientificamerican.com/article/the-optics-of-photography/
- The Optics of Photography. ... Print & Full Archive Subscription This digital issue plus 12 new issues (in print, digital and tablet formats) plus archive access to 1845. $99.00 ...
Understanding Camera Lenses: A Beginner’s Guide
- https://photographylife.com/camera-lenses
- So, if you really want to blur the background of your photo as much as possible, you’ll want at least a 50mm f/1.8, and probably something like an 85mm f/1.8, 85mm f/1.4 or 105mm f/1.4. But those lenses also get progressively more and more expensive. NIKON D810 + Noct-NIKKOR 58mm f/1.2 @ 58mm, ISO 64, 1/6400, f/1.2.
Photographic optics - Stanford University
- https://graphics.stanford.edu/courses/cs448a-10/optics1-07jan10-opt.pdf
- Physical versus geometrical optics light can be modeled as traveling waves the perpendiculars to these waves can be drawn as rays diffraction causes these rays to bend, e.g. at a slit geometrical optics assumes • λ → 0 • no diffraction • in free space, rays are straight (a.k.a. rectilinear propagation) 14 (Hecht)
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