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Olive Cotton, National Portrait Gallery
- https://www.portrait.gov.au/people/olive-cotton-1911
- After the war she moved to a property near Cowra, NSW, where she lived for the rest of her life with her husband Ross McInerney. Although preoccupied with family and farm, Cotton continued to take photographs and in 1964 opened a studio in Cowra; according to her daughter, 'her photographs were always very important to her, but almost secretly.'
Olive Cotton, A life in photography by Helen Ennis - ANU
- https://dhg.anu.edu.au/news_post/olive-cotton-a-life-in-photography-by-helen-ennis/
- Photography scholar Helen Ennis published her long-anticipated biography of Australian modernist photographer Olive Cotton, A life in photography, in 2019. In this excerpt from her book, she discusses The Shell , c.1935, articulating the multiple and enlightening readings presented by this luminous work of Modernist Australian photography.
Works by Olive Cotton | Art Gallery of NSW
- https://www.artgallery.nsw.gov.au/collection/works/?images=y&artist_id=cotton-olive
- Olive Cotton City view from 49 Clarence Street circa 1942, printed 1985 416.1985. Olive Cotton Through the fence circa 1934, printed 1980 219.1980. Olive Cotton Skeleton leaf 1964 175.2006. Art Gallery of NSW. We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands.
Olive Cotton - Australian Photographer - Hundred Heroines
- https://hundredheroines.org/historical-heroines/olive-cotton/
- Olive Cotton (1911 – 2003) Australian Photographer. Olive Cotton was one of the most important 20 th century Australian modernist photographers. Based in Cowra, New South Wales, her pioneering work spanned the 1930s and 40s. Olive began taking photographs at the age of eleven when she was given a Kodak No.0 Box Brownie.
Olive Cotton, National Portrait Gallery
- https://www.portrait.gov.au/portraits/2011.94/olive-cotton
- gelatin silver photograph on paper ( sheet: 50.4 cm x 40.4 cm, image: 40.1 cm x 26.8 cm ) Olive Cotton (1911-2003) was one of Australia's pioneering modernist photographers. Cotton's lifelong obsession with photography began with the gift of her first camera, a Kodak Box Brownie, when she was eleven.
Olive Cotton: A life in photography | Helen Ennis
- http://www.helenennis.com/publications/books-and-exhibition-catalogues/olive-cotton-a-life-in-photography/
- Olive Cotton was one of Australia’s pioneering modernist photographers, a woman whose talent was recognised as equal to her first husband’s, Max Dupain, and a significant artist in her own right. Together, Olive and Max could have been Australia’s answer to Frida Kahlo and Diego Rivera, or Ray and Charles Eames.
Olive Cotton: A Life in Photography - Art Almanac
- https://www.art-almanac.com.au/olive-cotton-a-life-in-photography/
- Six chapters shed light on the personal and professional life of one of Australia’s pioneering modernist photographers, Olive Cotton. Childhood, education, marriages (to Max Dupain and later Ross McInerney) and family life, are detailed as well as her journey and growth as an artist, the progress of the medium, and shifts in Australian society. Ennis highlights …
Why Olive Cotton turned her back on photography
- https://www.smh.com.au/culture/books/why-olive-cotton-turned-her-back-on-photography-20200102-p53obz.html
- Olive Cotton, Mrs McInerney, is one of Australia’s first modernist photographers. Her early work, from the 1930s through the 1940s, is distinctive and considered. Cotton was also an excellent musician and mathematician, university educated when most people, let alone women, were not.
Olive Cotton | Flowers photography, Still life photography, Olive
- https://www.pinterest.com.au/pin/olive-cotton--30891947416725444/
- Apr 14, 2013 - This Pin was discovered by Andra. Discover (and save!) your own Pins on Pinterest
What's inside Olive's abandoned trunk? - Inside Imaging
- https://www.insideimaging.com.au/2019/whats-inside-olive-cottons-abandoned-trunk/
- Olive Cotton: A Life In Photography, an in-depth biography tracing the story of the groundbreaking Australian modernist photographer, may be the biggest project undertaken by author Helen Ennis. Helen, former curator of photography at National Gallery of Australia (1985-1992), did her legwork to piece together Olive’s story in the 544-page novel. She spent eight …
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