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The Ontology of the Photographic Image by Andre Bazin
- https://www.wildreflections.photography/uncategorised/the-ontology-of-the-photographic-image-by-andre-bazin#:~:text=Photography%20transfers%20reality%20from%20the%20object%20to%20its,life%2C%20freed%20from%20destiny%20%E2%80%93%20it%20embalms%20time.
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Jacques Rancière · Notes on the photographic image …
- https://www.radicalphilosophy.com/article/notes-on-the-photographic-image
- Notes on the photographic image. Jacques rancière. In the relation between art and image, photography has played a symptomatic and often paradoxical role. Baudelaire made of it the sinister instrument of the triumph of technical reproduction over artistic imagination.
[PDF] Notes on the photographic image | Semantic Scholar
- https://www.semanticscholar.org/paper/Notes-on-the-photographic-image-Ranci%C3%A8re/3dc707e3c624491ee0c1f4aebe84932b90b4ccd1
- From the late 1970s onward, serious art photography began to be made at large scale and for the wall. Michael Fried argues that this immediately compelled photographers to grapple with issues …
Notes on the photographic image - ResearchGate
- https://www.researchgate.net/publication/237830308_Notes_on_the_photographic_image
- Download Citation | On Jul 1, 2009, Jacques Rancière published Notes on the photographic image | Find, read and cite all the research you need on ResearchGate
Jacques Rancière, Notes on the photographic image
- https://philpapers.org/rec/RANNOT
- Some notes on photographic images from the Warburg Institute Photographic Collection. Katia Mazzucco - 2012 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 5 (2). Infinite Exchange: The Social Ontology of the Photographic Image. Peter Osborne - 2010 - Philosophy of Photography 1 (1):59-68.
“Ontology of the Photographic Image” by André Bazin
- https://sites.lafayette.edu/fams202-sp15/2015/02/13/ontology-of-the-photographic-image-by-andre-bazin/
- Photography ranks high in the order of surrealist creativity because it produces an image that is a reality of nature, namely, an hallucination that is also a fact. Thus, as a final blow, Bazin makes the assertion that photography is the most important event in the history of the plastic arts and then leads us into his article on the ...
Phenomenology of the Photographic Image. - JSTOR
- https://www.jstor.org/stable/778645
- Five Notes for a Phenomenology of the Photographic Image. HUBERT DAMISCH 1. Theoretically speaking, photography is nothing other than a process of recording, a technique of inscribing, in an emulsion of silver salts, a stable image generated by a ray of light. This definition, we note, neither assumes the use of a
The Ontology of the Photographic Image by Andre Bazin
- https://www.wildreflections.photography/uncategorised/the-ontology-of-the-photographic-image-by-andre-bazin
- Bazin argues that the photographic image is the object itself and furthermore the object is freed from the conditions of time and space that govern it. So photography, freezes a moment in time, in life, freed from destiny – it embalms time. “The aesthetic qualities of photography are to be sought in its power to lay bare the realities.
(PDF) The Ontology of the Photographic Image | 煜琨 许
- https://www.academia.edu/39187285/The_Ontology_of_the_Photographic_Image
- The Ontology of the Photographic Image André Bazin; Hugh Gray Film Quarterly, Vol. 13, No. 4. (Summer, 1960), pp. 4-9. ... Let us merely note in passing that the Holy Shroud of Turin combines the features alike of relic and photograph. t I use the term category here in the sense attached to it by M. Gouhier in his book on the theater in which ...
Two Lessons on André Bazin’s “Ontology of the …
- https://intermittentmechanism.blog/2016/12/12/two-lessons-on-andre-bazins-ontology-of-the-photographic-image/
- Bazin’s uniqueness claim for photographic representation relies on three main components: photography is automatic (it is mechanically created without human intervention except to set up the apparatus), it is photochemical (its light-sensitive emulsion means that its image is a trace of patterns of light—which, for decades, film theorists ...
Robert Cumming Invents the Photograph - Aperture
- https://aperture.org/editorial/robert-cumming-invents-photograph/
- French philosopher Hubert Damisch mandated in his 1963 essay “Five Notes for a Phenomenology of the Photographic Image” that a true artist should never fall prey to the artificiality of photographic illusion. According to Damisch, photographs were not really “invented” in the early nineteenth century; the camera obscura had existed for ...
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