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Photography - New Objectivity
- http://newobjectivity.weebly.com/photography.html#:~:text=Photography.%20New%20Objectivity%20is%20a%20veristic%20art%20style%2C,Objectivity%20was%20first%20coined%20in%201923%20by%20G.F.
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New Objectivity by Albert Renger-Patzsch (686PH) - Atlas …
- https://atlasofplaces.com/photography/new-objectivity/
- Albert Renger-Patzsch (June 22, 1897 – September 27, 1966) was a German photographer associated with the New Objectivity. Renger-Patzsch was born in Würzburg and began making photographs by age twelve. After military service in the First World War he studied chemistry at Dresden Technical College. In the early 1920s he worked as a press photographer for the …
Photography - New Objectivity
- https://newobjectivity.weebly.com/photography.html
- Photography. After War World I, a sharp and objective style of photography emerged in Germany called New Objectivity. New Objectivity is a veristic art style, which encompasses painting, drawing, and photography, founded in Germany by Otto Dix and George Grosz. The style cynically and critically portrayed many aspects of German contemporary society in a very realistic manner.
Neue Sachlichkeit (New Objectivity) Overview | TheArtStory
- https://www.theartstory.org/movement/new-objectivity/
- New Objectivity Photography Photographers also aimed to accentuate an objective viewpoint, bringing in an unprecedented documentary aesthetic to the medium. The artists preferred subjects that depicted industry, technology, architectural spaces, and ordinary objects from daily life, such as eggs and plants.
MoMA | German Expressionism Styles: New Objectivity
- https://www.moma.org/s/ge/curated_ge/styles/new_objectivity.html
- The New Objectivity ( Neue Sachlichkeit) emerged as a style in Germany in the 1920s as a challenge to Expressionism. As its name suggests, it offered a return to unsentimental reality and a focus on the objective world, as opposed to the more abstract, romantic, or idealistic tendencies of Expressionism. The style is most often associated with portraiture, and its leading …
Neue Sachlichkeit (New Objectivity) - National Galleries of …
- https://www.nationalgalleries.org/art-and-artists/glossary-terms/neue-sachlichkeit-new-objectivity
- For many artists, photography was the ideal medium to capture an objective reality and subjects varied from the industrial, technological and architectural to still life arrangements and portraiture, defined by angular shapes, ordered arrangements and sharp focus, in a style referred to as New Photography. August Sander’s extensive range of photographs have been affiliated with this …
What Is New Objectivity? | Artsy
- https://www.artsy.net/article/artsy-editorial-new-objectivity-artists-exposed-decadence-hypocrisy-german-society
- New Objectivity was largely ignored until the late 1970s, when figurative painting was again in vogue. Artists such as Francis Bacon and Lucian Freud took up the mantle of the movement with a harsh new brand of existential realism. New Objectivity’s abiding legacy, however, is the manner in which it turned its penetrative gaze to a uniquely ...
New Objectivity : Painting, Graphic Art and Photography …
- https://books.google.com/books/about/New_Objectivity.html?id=i1fn6BDAu5YC
- New Objectivity: Painting, Graphic Art and Photography in Weimar Germany 1919-1933 Mid size: Author: Sergiusz Michalski: Translated by: Michael …
New Objectivity - Home
- https://newobjectivity.weebly.com/
- New Objectivity, a period of extreme realism in Germanic art, sought to establish that everything that glittered is not gold. This movement, characterized by ultra veristic paintings as well as photography, was a force apparent after WWI, and artists such as George Grosz, August Sander, and Max Beckmann worked extensively in this genre.
Clash of theories: New Objectivity versus Subjective Photography ...
- http://www.alisetifentale.net/research-blog-at/2016/1/17/battle-of-theories-new-objectivity-versus-subjective-photography
- Albert Renger-Patzsch (1897-1966) was a German photographer, one of the most visible practitioners of the type of photography often called New Objectivity. The concept of such photography was a product of the culture of the Weimar Germany. After the World War II, Renger-Patzsch continued to teach and champion the New Objectivity photography.
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