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Kait Photography

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Neue Sachlichkeit Photography

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Neue Sachlichkeit and Photography | collectible DRY …

    https://collectibledry.com/fashion-and-beauty/neue-sachlichkeit-and-photography/
    NeUe SaCHLIchKEit aNd PhotOGraphy. Albert Renger-Patzsch (1897–1966), who produced a huge body of work spanning four and half decades, was one of the most influential photographers of the New Objectivity …

Neue Sachlichkeit Photography • XIBT Contemporary Art Magazine

    https://www.xibtmagazine.com/2018/01/neue-sachlichkeit-photography/
    Neue Sachlichkeit Photography. Neue Sachlichkeit, namely the New Objectivity, was an artistic movement that arose in Germany during the Weimar Republic (1918-1934) which characterized German painting and architecture as well as producing exciting and innovative results in photography.The birth of the movement was incidental with a series of historical …

Neue Sachlichkeit (New Objectivity) Overview | TheArtStory

    https://www.theartstory.org/movement/new-objectivity/
    Summary of Neue Sachlichkeit (New Objectivity) Eschewing the idealism and utopianism that marked the first decade of the 20 th century and disillusioned by a World War that wreaked havoc on bodies and society, the artists associated with Neue Sachlichkeit, or New Objectivity as it is translated in English, presented an unsentimental realism to address contemporary culture.

Neue Sachlichkeit Paintings and Photographs | TheArtStory

    https://www.theartstory.org/movement/new-objectivity/artworks/
    Self-Portrait with a Cigarette. One of some 80 portraits painted over his life, here Max Beckmann presents himself in a suit and tie, holding a cigarette, seated before an ochre-colored wall. Perhaps more than the other Neue Sachlichkeit artists, Beckmann probed himself and his inner life in numerous self-portraits.

Neue Sachlichkeit (New Objectivity) - National Galleries of …

    https://www.nationalgalleries.org/art-and-artists/glossary-terms/neue-sachlichkeit-new-objectivity
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Neue Sachlichkeit - Louisiana Museum of Modern Art

    https://louisiana.dk/en/exhibition/germany-1920s-neue-sachlichkeit/
    Willkommen, Bienvenue, Welcome! A sweeping journey through the roaring and explosive 1920s in the Weimar Republic. Centre stage, the significant movement of "Neue Sachlichkeit" and its sober realism – ranging from the harsh and satirical to the razor-sharp, almost clinical. Sharing the limelight: groundbreaking photographer August Sander.

Neue Sachlichkeit (New Objectivity) – An Introduction – …

    https://smarthistory.org/neue-sachlichkeit-new-objectivity-introduction/
    A critical attitude. Dix was a leading representative of the realist tendency in post-World War I German art known as Neue Sachlichkeit, usually translated as New Objectivity. The name of the tendency originated in a 1925 exhibition of figurative painters that included Dix, George Grosz, and Max Beckmann. Some of the painters associated with ...

Neue Sachlichkeit and German realism of the twenties : …

    https://archive.org/details/neuesachlichkeit0000hayw
    Neue Sachlichkeit and the German realism of the twenties / Wieland Schmied -- Illustrations of the paintings and works on paper -- Photography and the Neue Sachlichkeit movement / Ute Eskildsen -- Reproductions of the photographs -- Artists' and photographers' biographies -- Bibliography -- Catalogue of exhibition/List of works

Photography - New Objectivity

    https://newobjectivity.weebly.com/photography.html
    The style cynically and critically portrayed many aspects of German contemporary society in a very realistic manner. “Neue Sachlichkeit” or New Objectivity was first coined in 1923 by G.F. Hartlaub who titled an exhibition of post-expressionistic paintings, so in the beginning photography wasn’t even involved.

New Objectivity - Wikipedia

    https://en.wikipedia.org/wiki/New_Objectivity
    The New Objectivity (in German: Neue Sachlichkeit) was a movement in German art that arose during the 1920s as a reaction against expressionism.The term was coined by Gustav Friedrich Hartlaub, the director of the Kunsthalle in Mannheim, who used it as the title of an art exhibition staged in 1925 to showcase artists who were working in a post-expressionist spirit.

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