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Neue Sachlichkeit and Photography | collectible DRY …
- https://collectibledry.com/fashion-and-beauty/neue-sachlichkeit-and-photography/
- NeUe SaCHLIchKEit aNd PhotOGraphy. Albert Renger-Patzsch (1897–1966), who produced a huge body of work spanning four and half decades, was one of the most influential photographers of the New Objectivity …
Neue Sachlichkeit Photography • XIBT Contemporary Art Magazine
- https://www.xibtmagazine.com/2018/01/neue-sachlichkeit-photography/
- Neue Sachlichkeit Photography. Neue Sachlichkeit, namely the New Objectivity, was an artistic movement that arose in Germany during the Weimar Republic (1918-1934) which characterized German painting and architecture as well as producing exciting and innovative results in photography.The birth of the movement was incidental with a series of historical …
Neue Sachlichkeit (New Objectivity) Overview | TheArtStory
- https://www.theartstory.org/movement/new-objectivity/
- Neue Sachlichkeit photographers shared the painter's desire to portray the objective truth of reality, but for the most part they avoided the social and political commentary that underlies so much of the painting. ... The term Neue Sachlichkeit, which is often translated as New Objectivity, was first coined by Gustav Friedrich Hartlaub, the ...
Neue Sachlichkeit Paintings and Photographs | TheArtStory
- https://www.theartstory.org/movement/new-objectivity/artworks/
- Self-Portrait with a Cigarette. One of some 80 portraits painted over his life, here Max Beckmann presents himself in a suit and tie, holding a cigarette, seated before an ochre-colored wall. Perhaps more than the other Neue Sachlichkeit artists, Beckmann probed himself and his inner life in numerous self-portraits.
Neue Sachlichkeit (New Objectivity) - National Galleries of …
- https://www.nationalgalleries.org/art-and-artists/glossary-terms/neue-sachlichkeit-new-objectivity
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Neue Sachlichkeit – Franz Roh, Exhibitions and their Artists
- https://www.artist-info.com/blog/neue-sachlichkeit-franz-roh-exhibitions-and-their-artists/
- ‘Neue Sachlichkeit’ is an important issue when you are looking at painting of the 20s and 30s. Although he was the first to use this term in 1921, Franz Roh (1890-1965), the photography artist and art critic (his influential book ‘Foto-Auge’ is part of our survey The artists of the Kurt Kirchbach Sammlung and Thomas Walther Collection ...
Neue Sachlichkeit (New Objectivity) – An Introduction – …
- https://smarthistory.org/neue-sachlichkeit-new-objectivity-introduction/
- A critical attitude. Dix was a leading representative of the realist tendency in post-World War I German art known as Neue Sachlichkeit, usually translated as New Objectivity. The name of the tendency originated in a 1925 exhibition of figurative painters that included Dix, George Grosz, and Max Beckmann. Some of the painters associated with ...
New Objectivity - Wikipedia
- https://en.wikipedia.org/wiki/New_Objectivity
- The New Objectivity (in German: Neue Sachlichkeit) was a movement in German art that arose during the 1920s as a reaction against expressionism.The term was coined by Gustav Friedrich Hartlaub, the director of the Kunsthalle in Mannheim, who used it as the title of an art exhibition staged in 1925 to showcase artists who were working in a post-expressionist spirit.
Neue Sachlichkeit and German realism of the twenties : …
- https://archive.org/details/neuesachlichkeit0000hayw
- Neue Sachlichkeit and the German realism of the twenties / Wieland Schmied -- Illustrations of the paintings and works on paper -- Photography and the Neue Sachlichkeit movement / Ute Eskildsen -- Reproductions of the photographs -- Artists' and photographers' biographies -- Bibliography -- Catalogue of exhibition/List of works
Photography - New Objectivity
- https://newobjectivity.weebly.com/photography.html
- The style cynically and critically portrayed many aspects of German contemporary society in a very realistic manner. “Neue Sachlichkeit” or New Objectivity was first coined in 1923 by G.F. Hartlaub who titled an exhibition of post-expressionistic paintings, so in the beginning photography wasn’t even involved.
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