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What Are the Moral Responsibilities of a Photographer?
- https://thewalrus.ca/what-are-the-moral-responsibilities-of-a-photographer/
- Indeed, Singh found no contradiction “between sadness or poverty and color.”. While all artists invariably follow the unconscious dictates of their own taste and conscience, Singh’s approach still raises the question of whether it is morally right for a photograph to elide suffering in a context of acute deprivation.
Morality and Ethics in Photography - ERIC KIM
- https://erickimphotography.com/blog/2018/12/13/morality-and-ethics-in-photography/
- There are no ultimately “right” or “wrong” ethics or morals that apply to everyone equally. Don’t feel any guilt shooting street photography. If …
The Morality Of Photography
- https://www.theodysseyonline.com/morality-of-photography
- Photography: the art and science of creating durable images by recording light. Many people use photography as an expressive medium, others use it to showcase news and current events. I personally use photography as a form of expression and, of course, for fun. Photojournalists, however, have a difficult time perusing their career due to the ...
Moral Rights - Presentation on Intellectual Property
- https://www.the-aop.org/information/consultations/moral-rights-presentation-on-intellectual-property
- Moral Rights - An AOP Presentation to the Strategic Advisory Board for Intellectual Property. Moral Rights are, of course, important to all creators - but the Integrity and Attribution right are of particular importance to photographers. Indeed, any commercial visual artist, such as illustrators, value moral rights to protect their integrity and enhance their reputation.
Moral Rights — Photographer's Rights — LEICA MOMENT REVIEW
- https://jerrybei.com/photographers-rights/tag/Moral+Rights
- Rights; Recognitions; About; ... If the works of the Photographer has not been published, then the copyright in the work lasts for 70 years after the work is first published: (3) If, before the death of the author of a literary work (other than a computer program) or a dramatic or musical work:
Photography Ethics and Why They Matter
- https://www.photoethics.org/content/2018/5/31/photography-ethics-and-why-they-matter
- Photography ethics are the principles that guide how we take and share photographs. Photography ethics are subjective, contextual, and fluid, meaning that every person’s ethics will be different, because ethics are based on a person’s life experience and values. Ethics change from one context to another: what might be ethical in New York ...
A Photographer’s Guide to Copyright - Percy Crow Davis
- https://www.daidavis.com/articles/a-photographers-guide-to-copyright/
- Moral rights are always owned by the author and can never be transferred. For instance, when a photographer sells a picture to a photographic agency (as opposed to merely granting a licence to use the photograph) the photographer would still retain the moral rights in the photograph. One moral right is the right to be identified as the author of the photograph whenever it is …
Moral rights and Artists Resale Right - National Portrait …
- https://www.npg.org.uk/about/creators/moral-rights
- The right to privacy of certain commissioned photographs and films. This gives a commissioning party (as opposed to a creator) the right to prevent distribution or dissemination of, for example, wedding or civil partnership photographs.
Moral Rights in the United States | Copyright Corner
- https://library.osu.edu/site/copyright/2017/07/21/moral-rights-in-the-united-states/
- There would be no recourse against the advertising company because the photographer’s honor and reputation have no protection under copyright law. In the alternative, in a country where copyright also protects moral rights, the photographer may be able to protect their work from “distortion [or] mutilation”, like having alcohol or drugs incorporated with their …
Legal Rights of Photographers - City of Bellingham
- https://www.cob.org/wp-content/uploads/legal-rights-of-photographers.pdf
- The test of the legality of the photograph is whether it intrudes on a person’s right to seclusion (e.g., using a telephoto lens to shoot into someone’s private office, or simply entering that office when not invited). A photographer is not trespassing, even on private property, if such a place is open to the public. There is
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