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The Original Copy: Photography of Sculpture, 1839 to …
- https://www.moma.org/calendar/exhibitions/969
- The Original Copy: Photography of Sculpture, 1839 to Today presents a critical examination of the intersections between photography and sculpture, exploring how the one medium has become implicated in the understanding of the other. Through a selection of nearly 300 outstanding pictures by more than 100 artists from the dawn of modernism to the present, the exhibition looks at the ways in which photography at once informs and challenges our understanding of sculpture.
MoMA | The Original Copy
- https://www.moma.org/interactives/exhibitions/2010/originalcopy/
- The Original Copy presents a critical examination of the intersections between photography and sculpture, exploring how the one medium has been implicated in the analysis and creative redefinition of the other. Bringing together three …
The Original Copy: Photography of Sculpture, 1839 to …
- https://store.moma.org/books/exhibition-catalogues/the-original-copy-photography-of-sculpture-1839-to-today---hardcover/757-757.html
- The Original Copy presents a critical examination of the intersections between photography and sculpture, exploring how the one medium has become implicated in the understanding of the other. Through a selection of 300 pictures by more than 100 artists from the nineteenth century to the present, this volume looks at how and why sculpture became a photographic subject.
MoMA | The Original Copy
- https://assets.moma.org/interactives/exhibitions/2010/originalcopy/
- The Original Copy presents a critical examination of the intersections between photography and sculpture, exploring how the one medium has been implicated in the analysis and creative redefinition of the other. Bringing together three hundred pictures, magazines, and journals by more than one hundred artists from the dawn of modernism to the present, the exhibition looks …
MoMA | The Original Copy - Museum of Modern Art
- https://www.moma.org/interactives/exhibitions/2010/originalcopy/intro01.html
- MoMA | The Original Copy. View Works. Photography is a child of the industrial era—a medium that came of age alongside the steam engine and the railroad—and one of its critical functions was to provide access to previously …
The Original Copy: Photography of Sculpture, 1839 to Today …
- https://collectordaily.com/the-original-copy-photography-of-sculpture-1839-to-today-moma/
- The Original Copy: Photography of Sculpture, 1839 to Today @MoMA By Loring Knoblauch / In Museums / August 11, 2010 JTF (just the facts): A massive, thematic group show, displayed in a series of 8 connected rooms on the 6 th floor of the museum.
MoMA’s ‘Original Copy,’ Photos Meet Sculpture - The New …
- https://www.nytimes.com/2010/07/30/arts/design/30original.html
- So it is with “The Original Copy: Photography of Sculpture, 1839 to Today,” which opens at the museum on Sunday. A blockbuster the new show is not. The opposite, I’d say. If you believe that art’s...
Installation view of the exhibition "The Original Copy
- https://www.moma.org/calendar/exhibitions/969/installation_images/7175
- In 2018–19, MoMA collaborated with Google Arts & Culture Lab on a project using machine learning to identify artworks in installation photos. That project has concluded, and works are now being identified by MoMA staff. ... Installation view of the exhibition "The Original Copy: Photography of Sculpture, 1839 to Today" August 1, 2010 ...
MoMA | The Original Copy - Museum of Modern Art
- https://www.moma.org/interactives/exhibitions/2010/originalcopy/works01.html
- MoMA | The Original Copy The Original Copy Themes Events Publication Checklist Credits MoMA Sculpture in the Age of Photography William Henry Fox Talbot (British, 1800–1877). Bust of Patroclus. William Henry Fox Talbot (British, 1800–1877). Bust …
MoMA | The Original Copy - Museum of Modern Art
- https://www.moma.org/interactives/exhibitions/2010/originalcopy/intro05.html
- MoMA | The Original Copy In 1913, Duchamp jotted down the following note: “Can one make works which are not works of ‘art’?” That same year he conceived his first readymade, Bicycle Wheel —assembled from pre-existing manufactured objects—immediately altering the definition of what constitutes an art object.
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