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Modes of Seeing: Digitized Photographic Archives …
- https://www.jstor.org/stable/23290754
- Modes of Seeing: Digitized Photographic Archives and the Experienced User enthusiasts on both sides of this argument stake their claims without explicit evidence about user needs and user expectations regarding visual, material, or archival properties of the digital surrogates. Technologies of digital representation—such as scanning, image ...
Modes of Seeing: Digitized Photographic Archives and …
- https://meridian.allenpress.com/american-archivist/article/73/2/425/24166/Modes-of-Seeing-Digitized-Photographic-Archives
- Digitization practice in archives and libraries is now generating digital content and associated tools and practices that are transforming the relationships among archivists, users, and archival collections. The transformative nature of digitization derives in part from the power of the complex technologies to represent images and facilitate their use. This article explores …
Modes of Seeing: Digitized Photographic Archives …
- https://deepblue.lib.umich.edu/bitstream/handle/2027.42/85224/J17%20Conway%20Modes%20of%20Seeing%202010.pdf
- Modes of Seeing: Digitized Photographic Archives and the Experienced User Paul Conway0 Abstract Digitization practice in archives and libraries is now generating digital content and associated tools and practices that are transforming the relationships among archivists, users, and archi-val collections.
Modes of Seeing: Digitized Photographic Archives and …
- https://www.researchgate.net/publication/268052716_Modes_of_Seeing_Digitized_Photographic_Archives_and_the_Experienced_User
- By understanding these "modes of seeing" the contemporary digitized visual archives, archivists are in a better position to understand the representational implications of their digitization ...
(PDF) Modes of Seeing: Digitized Photographic Archives and
- https://research.amanote.com/publication/BZSO2HMBKQvf0BhiZluY/modes-of-seeing-digitized-photographic-archives-and-the-experienced-user
- Modes of Seeing: Digitized Photographic Archives and the Experienced User American Archivist - United States doi 10.17723/aarc.73.2.mp275470663n5907
Modes of Seeing: Digitized Photographic Archives and …
- https://deepblue.lib.umich.edu/handle/2027.42/85224?show=full
- National Science Foundation. dc.contributor.author: Conway, Paul: dc.date.accessioned: 2011-07-19T02:52:57Z
Modes of Seeing: Case Studies on the Use of Digitized …
- http://dh2010.cch.kcl.ac.uk/academic-programme/abstracts/papers/html/ab-601.html
- Using extracted quotations and extensive visual examples, the paper presents an original typological model on the ways that perspectives of users on visual content, archival properties, and technical characteristics of digitized photographic archives combine to produce distinctive, but often intersecting “modes of seeing.”
Table 1 from Modes of Seeing: Digitized Photographic …
- https://www.semanticscholar.org/paper/Modes-of-Seeing%3A-Digitized-Photographic-Archives-Conway/0bffaf213817194d20a0b42ee19847c9b57a9947/figure/0
- Modes of Seeing: Digitized Photographic Archives and the Experienced User @article{Conway2010ModesOS, title={Modes of Seeing: Digitized Photographic Archives and the Experienced User}, author={P. Conway}, journal={American Archivist}, year={2010}, volume={73}, pages={425-462} } P. Conway; Published 2010; Sociology; American Archivist
Digital Photography Collections | National Archives
- https://www.archives.gov/research/alic/reference/photography
- U.S. Geological Survey Photographic Library. This site contains over 30,000 digitized photographs from the USGS collection of over 400,000 photographs taken from 1868 to the present. The database can be searched or browsed in a number of categories such as Earthquakes and Pioneer Photographers.
Archives Digitized Photographic Conway, Paul Studies on the …
- http://dh2010.cch.kcl.ac.uk/academic-programme/abstracts/papers/pdf/ab-601.pdf
- digitized photographic archives combine to produce distinctive, but often intersecting “modes of seeing.” One mode, “Discovering,” takes maximum advantage of the visual detail discernable in high-resolution digital copies of camera negatives to find and contextualize new knowledge. A second mode, “Storytelling,” has
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