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Blow-Up: Behind the Most Famous Film on Photography
- https://www.popphoto.com/american-photo/blow-up-Michelangelo-Antonioni-behind-most-famous-film-photography/
- I’m a photographer,” says Thomas, the protagonist of Michelangelo Antonioni’s cult classic and best box office-grossing 1966 film “Blow-Up.” Played by David Hemmings, Thomas is a hip, brash fashion shooter in London’s ‘Swinging Sixties,’ an era when British lensmen dominated and reinvigorated glossy model spreads in magazines.
Michelangelo Antonioni - Wikipedia
- https://en.wikipedia.org/wiki/Michelangelo_Antonioni
- In 1985, Antonioni suffered a stroke, which left him partly paralyzed and unable to speak. However, he continued to make films, including Beyond the Clouds (1995), for which Wim Wenders filmed some scenes. As Wenders has explained, Antonioni rejected almost all the material filmed by Wenders during the editing, except for a few short interludes.
FEB 2015 - FOCUS ON BLOW-UP - Michelangelo …
- https://www.duffyarchive.com/feb-2015-focus-blow-michelangelo-antonionis-masterpiece/
- Michelangelo Antonioni’s cinematic masterpiece is a criminal case without evidence, a puzzle without a solution. Often interpreted as a pop film critique of a particular subculture, “Blow-Up” is far more than a sociocultural document in which images play …
Blow Up by Michelangelo Antonioni, 1966 - The Eye of Photography
- https://loeildelaphotographie.com/en/blow-up-by-michelangelo-antonioni-1966/
- Blow Up: de Michelangelo Antonioni, sorti en 1966 et Palme d'or à Cannes en 1967, s'inspire de la nouvelle de Julio Cortazar, "les fils de la Vierge". À Londres, dans les années 1960 : Thomas, photographe de mode, après un reportage photo sur les sans-abris, passe la matinée dans un parc, et attiré par la lumière, prend des clichés. L'endroit est presque désert, …
Michelangelo Antonioni - IMDb
- https://www.imdb.com/name/nm0000774/
- Michelangelo Antonioni, Writer: Blow-Up. Together with Fellini, Bergman and Kurosawa, Michelangelo Antonioni is credited with defining the modern art film. And yet Antonioni's cinema is also recognized today for defying any easy categorization, with his films ultimately seeming to belong to their own distinctive genre. Indeed, the difficulty of precisely describing their …
Framing, painting, collecting images: Antonioni’s legacy
- https://necsus-ejms.org/framing-painting-collecting-images-antonionis-legacy/
- Ferrara, Gallerie d’Arte Moderna e Contemporanea, Museo Michelangelo Antonioni. Antonioni conceived Le montagne incantate through a combination of painting and photography. He painted abstract sceneries on small-format paper supports the size of postcards, or even stamps, using a technique reminiscent of Jackson Pollock’s dripping.
Michelangelo and Ugo Eye to Eye – ARTnews.com
- https://www.artnews.com/art-in-america/features/homepage-michelangelo-and-ugo-eye-to-eye-62782/#!
- Michelangelo Antonioni photography Pistoletto Steidl ugo mulas ... "Michelangelo Eye to Eye" is the English title given to the final work of Michelangelo Antonioni, a brief documentary of 2004 in ...
Federico Fellini and Michelangelo Antonioni Breathed
- https://www.schulmanphotography.com/blog/2019/6/19/ekvj8p6l0kjl9k14jlri55k33nl64a
- In particularly the films “The Nights of Cabiria” and “Red Desert” (“Red Desert” was Antonioni’s first film in color) defined for me what it means to have a photograph shaped by imagery, exaggeration, fragile emotions and the meaning of color. Their films provided a postwar (WW2) way to reveal an inner character and an urban landscape.
Blow-Up: Antonioni's Classic Film and Photography …
- https://www.amazon.com/Blow-Up-Antonionis-Classic-Film-Photography/dp/3775737375
- The 1966 cult film Blow-Up is not only the widely recognized, first English-language film from Michelangelo Antonioni, but can also be regarded as an excursion in photography. On a futile search for evidence of a crime he thinks he has seen, fashion photographer Thomas enlarges his pictures, pushing the envelope of the medium's boundaries.
Blow Up (1966): "We See, What We Want To See" - Art of …
- https://artofcreativephotography.com/essay/blow-up/
- Blow Up (1966) by Italian director Michelangelo Antonioni is a great film about the nature of photography. What uses or functions of photography are shown in the film? The medium photography is put to a test, to some sort of self-questioning – also regarding the reality of images. What’s reflected in an image is not necessarily “real”.
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