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Analysis Of In Around And Afterthoughts By Martha Rosler
- https://www.bartleby.com/essay/Analysis-Of-In-Around-And-Afterthoughts-By-D7389386AC7C163A
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5. Martha Rosler, In, Around and Afterthoughts (On …
- https://www.oreilly.com/library/view/basic-critical-theory/9780240516523/14_chapter-title-5.html
- She states that documentary photography represents a liberal social conscience. In the USA, it was at its most important in the ‘ideological climate’ of state liberalism and reform movements in first half of the twentieth century. However, it had muckraking associations, and predated the ‘myth of journalistic objectivity’ (p. 306), which ...
Martha Rosler, In, Around and Afterthoughts (On Documentary …
- https://www.taylorfrancis.com/chapters/mono/10.4324/9780080468389-12/martha-rosler-around-afterthoughts-documentary-photography-ashley-la-grange
- This is a summary of the first part of Rosler’s essay as it appears in The Contest of Meaning, edited by Richard Bolton. Rosler asks why documentary photographers still want to photograph the Bowery (a skid row in New York), when it is no longer possible to justify photographing it either in terms of helping or exposing the occupants.
In, around, and afterthoughts (on documentary photography) …
- https://miltblog.myblog.arts.ac.uk/2020/07/14/in-around-and-afterthoughts-on-documentary-photography-1981-martha-rosler/
- In, around, and afterthoughts (on documentary photography) (1981) Martha Rosler Documentary photography has been much more comfortable in the company of moralism than wedded to a rhetoric or program of revolutionary politics.
Discussion – Martha Rosler: In, Around and Afterthoughts | Art 263
- http://art3.sewanee.edu/class/263/past-syllabi-etc/past-discussions/discussion-martha-rosler-in-around-and-afterthoughts/
- Discussion – Martha Rosler: In, Around and Afterthoughts 1.) In many of the past discussions, we have talked greatly about the importance of “bearing witness,” as a documentary photographer. However, Rosler’s essay stabs directly at this notion, arguing that the aim of documentary photography has changed for the worst, in the sense that
Towards Assignment 4 – Martha Rosler - Simon Chirgwin's …
- https://schirgwin.com/2018/05/21/towards-assignment-4-martha-rosler/
- In around and afterthoughts is a postcard from a time before the baddies won, when ‘oppositional’ could be seen as a political and social position when neither monetarism nor post modernism had swept all obstacles from their path. But also, post-crash, there is once again a relevance to Rosler’s work.
Rosler photo - web.pdx.edu
- https://web.pdx.edu/~vcc/Seminar/Rosler_photo.pdf
- In, around, and afterthoughts (on documentary photography) (1981) Martha Rosler 1. The Bowery, in New York, is an archetypal skid row. It has been much photographed, in works veering between outraged moral sensitivity and sheer slumming spectacle. Why is the Bowery so magnetic to documentarians?
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