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Marina Abramovic – U.S. Department of State
- https://art.state.gov/personnel/marina_abramovic/
- A pioneer and key figure in performance art, Marina Abramovic uses her own body as subject, object, and medium, exploring the physical and mental limits of her being. Abramovic’s prolific caree spans over four decades of interventions and sound pieces, video works, installations, photography, solo performances, and collaborative performances.
Marina Abramović - 159 Artworks, Bio & Shows on Artsy
- https://www.artsy.net/artist/marina-abramovic-1
- Marina Abramović is perhaps the most famous performance artist working today. Employing duration, pain, danger, exhaustion, and viewer participation, she works at extremes as she complicates the relationship between art and audience. Abramović … Blue-chip representation Represented by internationally reputable galleries. Overview
Marina Abramović | Artnet
- https://artnet.com/artists/marina-abramovic/
- Marina Abramović is a Serbian artist known for her vanguard performances that use her body both as subject and vehicle. Incorporating performance, sound, video, sculpture, and photography into her practice, Abramović often braves dangerous or grueling situations to investigate sensation and its effects, often with audience participation.
Marina Abramović - 106 Artworks for Sale on Artsy
- https://www.artsy.net/artist/marina-abramovic-1/works-for-sale
- Marina Abramović is perhaps the most famous performance artist working today. Employing duration, pain, danger, exhaustion, and viewer participation, she works at extremes as she complicates the relationship between art and audience. Abramović … Blue-chip representation Represented by internationally reputable galleries. Works for Sale (106)
Marina Abramović Biography – Marina Abramović on artnet
- https://www.artnet.com/artists/marina-abramovic/biography
- Marina Abramovic (Serbian, b.1946) is celebrated as a pioneering practitioner of performance art, best known for her works that explore the physical limitations of the body, as well as the body’s potential as a vehicle to spiritual metamorphosis. Born in Belgrade, Abramovic studied at the Academy of Fine Arts in Belgrade and in Zagreb, Croatia. She was among the first generation …
6 Marina Abramović Performances That Showcase Her Incredible …
- https://mymodernmet.com/marina-abramovic-performance-art/
- One of the first profound performances of Abramović’s career, Rhythm 5 explores the physical and mental limits of the human body. The artist risked her own life for her art in an extreme performance where she almost suffocated. For Rhythm 5, Abramović used a large petroleum-drenched star, which the artist lit on fire.
Abramović Performances, Bio, Ideas | TheArtStory
- https://www.theartstory.org/artist/abramovic-marina/
- Marina Abramović's work is typical of the ritualistic strain in 1960s performance art. It often involves putting herself in grave danger and performing lengthy, harmful routines that result in her being cut or burnt, or enduring some privation.
Marina Abramović - Wikipedia
- https://en.wikipedia.org/wiki/Marina_Abramovi%C4%87
- Marina Abramović Institute. The Marina Abramović Institute (MAI) is a performance art organization with a focus on performance, long durational works, and the use of the "Abramovic Method". In its early phases, it was a proposed multi-functional museum space in Hudson, New York. Abramović purchased the site for the institute in 2007.
Marina Abramović's weirdest moments – in pictures - the Guardian
- https://www.theguardian.com/artanddesign/gallery/2014/jun/09/marina-abramovic-weirdest-moments-performance-art-in-pictures
- Marina Abramović's weirdest moments – in pictures The world-renowned performance artist Marina Abramović has been strung up, cut, screamed at and had an arrow pointed directly at her heart. In...
Marina Abramovic | Biography, Facts, The Artist Is Present, & Art
- https://www.britannica.com/biography/Marina-Abramovic
- After completing postgraduate studies at the Academy of Fine Arts in Zagreb, Croatia, in 1972, Abramović conceived a series of visceral performance pieces that engaged her body as both subject and medium. In Rhythm 10 (1973), for instance, she methodically stabbed the spaces between her fingers with a knife, at times drawing blood.
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