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Lewis Baltz | International Center of Photography
- https://www.icp.org/browse/archive/constituents/lewis-baltz
- Lewis Baltz produces photographs in series focused on a particular theme or geographic area and usually publishes them in book form, as in The New Industrial Parks Near Irvine, California (1975), Nevada (1978) and Park City (1981). ... challenges the nineteenth century tradition of western landscape photography represented by Timothy O'Sullivan ...
Lewis Baltz | Artnet
- https://artnet.com/artists/lewis-baltz/
- Lewis Baltz was an American photographer best known for his involvement in the seminal “New Topographics: Photographs of a Man-Altered Landscape” exhibition of 1975. Like his contemporaries Robert Adams, Stephen Shore, and Bernd and Hilla Becher, Baltz focused his camera on the unassuming green spaces and architecture of tract housing, office parking lots, …
Lewis Baltz - Gallery Luisotti
- https://galleryluisotti.com/artists/lewis-baltz/
- More prominently, Lewis Baltz was part of the groundbreaking New Topographics: Photographs of a Man-Altered Landscape exhibition in 1975 which included notable peers such as Bernd and Hilla Becher, Robert Adams, and Stephen Shore and therefore marked a shift in contemporary photography. These photographers not only harkened back to 19th ...
Lewis Baltz, Photographer of American Landscapes, Dies …
- https://www.nytimes.com/2014/11/26/arts/design/lewis-baltz-photographer-of-american-landscapes-dies-at-69.html
- Lewis Baltz’s black-and-white images of parking lots, office parks, industrial garage doors and the backs of anonymous warehouses helped forge a new tradition of American landscape photography ...
Lewis Baltz: Industrial and suburban landscape | Tate
- https://www.tate.org.uk/art/artists/lewis-baltz-5373/lewis-baltz-industrial-suburban-landscape
- Since the late 1960s, US photographer Lewis Baltz has been making images relating to the modern industrial and suburban landscape. He talked to TateShots. US photographer came to prominence in the 1970s as a leading figure in the new topographic movement. The movement sprang from a seminal exhibition, including work by Baltz, of …
American Landscape Photographer Lewis Baltz Dead at 69
- https://news.artnet.com/art-world/american-landscape-photographer-lewis-baltz-is-dead-at-69-181831
- Lewis Baltz, an American landscape photographer who helped lead the New Topographics movement of the late 1960s and early 1970s, died November 23, 2014, reports the Washington Post. Age 69, he had ...
Lewis Baltz American, 1945 – 2014 | Tate
- https://www.tate.org.uk/art/artists/lewis-baltz-5373
- Lewis Baltz (September 12, 1945 – November 22, 2014) was a visual artist and photographer who became an important figure in the New Topographics movement of the late 1970s. His work has been published in a number of books, presented in numerous exhibitions, and appeared in museums such as the Museum of Modern Art, Paris, Museum of Contemporary Art, Helsinki, …
Lewis Baltz | ND Magazine
- https://ndmagazine.net/photographer/lewis-baltz/
- Lewis Baltz is a visual artist and well known photographer who became an important figure in the New Topographic movement of the late 1970s. Presented together in the exhibition 'New Topographics: Photographs of a Man-altered Landscape' in 1975 (Rochester, NY), this group of young photographers brought a shift in landscape photography in showing the images of a …
Lewis Baltz obituary | Photography | The Guardian
- https://www.theguardian.com/artanddesign/2014/dec/04/lewis-baltz
- Lewis Baltz, whose austere, monochrome images of suburban development helped to redefine American landscape photography in the early 1970s, has died of complications of cancer and emphysema, aged ...
Lewis Baltz - Photography
- https://photoeducation.weebly.com/lewis-baltz.html
- Lewis Baltz. Lewis Baltz. Baltz' early black and white pictures are formal meditations inspired by Zen and minimalist painting. They are graphic pictures of the mundane surfaces of the city, sometimes exposing its skeletal framework. The photos were oftens shown as wall grids, more popular with the art audience than the photographic community.
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