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What, in truth, is Photography? Notes after Kracauer
- https://www.jstor.org/stable/44030778
- of photography's having undone in advance a specific form of reality. As part of his meditation on the nature of the photographic image, Kracauer wrote: 'In order for history to present itself the mere surface coherence offered by photography must be destroyed' ( MO , 52). Photography takes on the structure of historicism when what it
Visual Rhetoric: Kracauer on Photography - Blogger
- https://visualsemiotics.blogspot.com/2009/11/kracauer-on-photography.html
- Siegfried Kracauer was a cultural analyst and member of the applied social sciences group at Columbia University. His work laid the foundation for modern film criticism and he is the author of several works …
What in truth is Photography Notes after Kracauer
- https://www.academia.edu/32017756/What_in_truth_is_Photography_Notes_after_Kracauer
- As part of his meditation on the nature of the photographic image, Kracauer wrote: 'In order for history to present itself the mere surface coherence offered by photography must be destroyed' ( MO , 52). Photography takes on the structure of historicism when what it presents is taken as axiomatically coherent.
Siegfried Kracauer on photography – Thought Factory
- https://thoughtfactory.com.au/2872-2/
- In the last section of his “Photography” essay Kracauer says that the fault he found in photography’s capacity to simply stockpile the elements of nature becomes an asset once the photographs are piled and viewed en masse “in unusual combinations.
Siegfried Kracauer: Photography (1927). Aus: The …
- https://www.diaphanes.net/titel/photography-1927-3815
- Siegfried Kracauer was a leading intellectual figure of the Weimar Republic and one of the foremost representatives of critical theory. Best known for a wealth of writings on sociology and film theory, his influence is felt in the work of many …
Siegfried Kracauer's theories of photography: From Weimar to …
- https://www.tandfonline.com/doi/abs/10.1080/03087298.1997.10443730
- Abstract. Siegfried Kracauer is first and foremost known in the United States for his extensive writings on film, such as From Caligari to Hitler (1947). 1 However, Kracauer was not just a fllm historian but a cultural critic, loosely associated with the Frankfurt School, in particular with Theodor Adorno, Walter Benjamin and Leo Lowenthal. As such, he wrote on a wide range …
“Making Visible, Making Strange: Photography and ... - AMERICAN …
- https://americansuburbx.com/2009/10/making-visible-making-strange-2.html
- For much of ‘Die Photographie’, Kracauer characterises photography in Realist/Naturalist terms, in such a way as to disqualify photography from attaining artistic status. He even suggests that photographs are the representational counterpart of historicism, in that they merely record the detritus of History rather than its authentic truth-content.
What, in truth, is Photography? Notes after Kracauer - DeepDyve
- https://www.deepdyve.com/lp/edinburgh-university-press/what-in-truth-is-photography-notes-after-kracauer-YmEdZbjH47
- As part of his meditation on the nature of the photographic image, Kracauer wrote: â In order for history to present itself the mere surface coherence offered by photography must be destroyedâ (MO, 52). Photography takes on the structure of historicism when what it presents is taken as axiomatically coherent.
The Mind of the Photo | J. Hoberman - The New York …
- https://www.nybooks.com/daily/2015/04/03/kracauer-mind-photo/
- A photograph is a physical “representation of time,” the cultural journalist and polymath Siegfried Kracauer wrote in an article titled “Photography,” published on the front page of Frankfurter Zeitung in late 1927.. Among other things, Kracauer, the Frankfurt School’s freelance intellectual par excellence, pondered the nature of those family photo albums in …
Author(s): Siegfried Kracauer and Thomas Y. Levin Source: …
- https://platypus1917.org/wp-content/uploads/2011/09/kracauer_photography1927.pdf
- 422 Siegfried Kracauer lected in 1930 in a book entitled Die Angestellten), and published major essays on Kafka, Benjamin, Weber, Scheler, the Buber-Rosenzweig translation of the Bible, the genre of biography, to name just a few. Together with his friends Adorno, Benjamin, and Bloch, whose work he published regularly in the
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