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Kaja Silverman: Photography by Other Means<br><br>Guest …
- https://unitcrit.blogspot.com/2008/10/kaja-silverman-photography-by-other.html
- We reserve the right to remove ad hominem attacks or other abusive commentary. ... Kaja Silverman: Photography by Other Means Guest Writer: Jennifer Bliss. Monday, October 27, 2008. posted under Jennifer Bliss , Kaja Silverman , photography by Unit for Criticism
Publications - KAJA SILVERMAN
- http://www.kajasilverman.com/publications
- The Miracle of Analogy, or the History of Photography, Part I. Stanford University Press, 2015. The Miracle of Analogy is the first volume in a three-volume reconceptualization of photography.It argues that photography originates in what is seen, rather than in the human eye or the camera lens, and that it is the world’s primary way of revealing itself to us.
Kaja Silverman - Wikipedia
- https://en.wikipedia.org/wiki/Kaja_Silverman
- Kaja Silverman is an American art historian and critical theorist. She is currently the Katherine and Keith L. Sachs Professor of Art History at the University of Pennsylvania. She received B.A. and M.A. degrees in English from the University of California Santa Barbara and a Ph.D. in English from Brown University. Thereafter, she taught at Yale University, Trinity College, Simon Fraser …
Kaja Silverman, The Miracle of Analogy, or, The History of …
- http://www.eugenieshinkle.com/portfolio-item/kaja-silverman-the-miracle-of-analogy-or-the-history-of-photography-part-i-review/
- Photography, Silverman suggests, is not a medium invented by certain individuals at a specific point in history. In fact, she argues, it is ‘the world’s primary way of revealing itself to us – of demonstrating that it exists…’, and the means by which it does so is not representation, but analogy. And in photography’s short history, as Silverman shows, can be found analogies for …
Kaja Silverman – Photography Between Evidence and …
- https://sites.rutgers.edu/cca-pbed/people/kaja-silverman/
- Kaja Silverman is the author of nine books: The Miracle of Analogy, or The History of Photography, Part 1 (2015); Flesh of My Flesh (2009); James Coleman (2002); World Spectators (2000); Speaking About Godard (with Harun Farocki, 1998); The Threshold of the Visible World (1996); Male Subjectivity at the Margins (1992); The Acoustic Mirror: The Female Voice in …
Homay's Review — KAJA SILVERMAN
- http://www.kajasilverman.com/new-page-1
- Kaja Silverman’s The Miracle of Analogy, or, The History of Photography Part I. ... ending with Richter’s October 18, 1977 paintings, which you describe as a form of photography by other means. In the new book, by contrast, the journey from writing to image is reversed: you begin with photographs and photography, narrating a new history of ...
Kaja Silverman - Rutgers University
- https://cca.rutgers.edu/annual-seminar/2020-2021-seminar-what-is-photography/2021-cca-virtual-conference/participants/2021-people/173-panel-three/588-kaja-silverman
- Kaja Silverman. Bio: Kaja Silverman is the author of nine books: The Miracle of Analogy, or The History of Photography, Part 1 (2015); Flesh of My Flesh (2009); James Coleman (2002); World Spectators (2000); Speaking About Godard (with Harun Farocki, 1998); The Threshold of the Visible World (1996); Male Subjectivity at the Margins (1992); The ...
Kaja Silverman : definition of Kaja Silverman and synonyms of …
- http://dictionary.sensagent.com/Kaja%20Silverman/en-en/
- Kaja Silverman (born September 16, 1947) [1] is an American film theorist and art historian. She received her Ph.D. in English from Brown University.She taught at Yale University, Trinity College, Simon Fraser University, Brown University, the University of Rochester and the University of California, Berkeley, before joining the University of Pennsylvania Art History Department in 2010.
Start reading The Miracle of Analogy | Kaja Silverman
- https://www.sup.org/books/extra/?id=25116&i=Contents.htm
- Chapter 5 discusses three instantiations of this "photography by other means": Freudian psychoanalysis, Proust's In Search of Lost Time, and the opening sequence in Chantal Akerman's The Captive. The tropes that were associated with the camera obscura and early photographs resurface in Freud's account of the psyche, and Proust's account of art ...
The Miracle of Analogy: or The History of Photography, …
- https://www.sup.org/books/title/?id=25116
- The Miracle of Analogy is the first of a two-volume reconceptualization of photography. It argues that photography originates in what is seen, rather than in the human eye or the camera lens, and that it is the world's primary way of revealing itself to us. Neither an index, representation, nor copy, as conventional studies would have it, the photographic image is an analogy. This …
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