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Brisbane based photographer

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Jill Casid Photography

Interested in photography? At kaitphotography.com.au you will find all the information about Jill Casid Photography and much more about photography.


Casid, Jill H. – Department of Art History – UW–Madison

    https://arthistory.wisc.edu/staff/jill-h-casid/
    Jill H. Casid is Professor of Visual Studies at the University of Wisconsin-Madison where she has a cross appointment in the Department of Gender and Women’s Studies. ... Working the Folds of Photography’s Wild Performativity in Capital’s Necrocene,” special issue of Photography and Culture on “Capitalism and the Limits of Photography ...

Jill H. Casid

    http://jillhcasid.net/
    An artist, theorist, historian, and professor of visual studies, Jill H. Casid's thinking, writing, and performing with images develops a practice of "pygrography" that activates the volatility of images at the folds of private and public, shame and …

Casid, PhD, Jill H - McPherson Eye Research Institute

    https://vision.wisc.edu/staff/casid-phd-jill-h/
    Jill H Casid, PhD. Position title: Professor, Department of Art History. Email: [email protected]. Phone: (608) 265-0136. Address: 240 Conrad A. Elvehjem Building 800 University Ave. ... Other Histories of Photography, that reconsiders photography as a complex and unstable medium. Her interest in pursuing the implications of “trans” for the ...

About — Jill H. Casid

    http://jillhcasid.net/about
    Jill H. Casid is Professor of Visual Studies at the University of Wisconsin-Madison where she founded and served as the first director of the Center for Visual Cultures.A historian, theorist, and practicing artist, her contributions to the transdisciplinary field of visual studies include her monographs Sowing Empire: Landscape and Colonization (Minnesota, 2005) which received …

JILL H. CASID

    https://arthistory.wisc.edu/wp-content/uploads/sites/1020/2018/08/Casid_CV_September-2021.pdf
    “Thanatography: Working the Folds of Photography’s Wild Performativity in Capital’s Necrocene,” special issue of Photography and Culture on “Capitalism and the Limits of Photography,” edited by Kevin Coleman and Daniel James 13.2 (June 2020), 213-38. “Doing Things with Being Undone,” Journal of Visual Culture 18.1 (2019): 30–52.

Jill H Casid (@jillhcasid) • Instagram photos and videos

    https://www.instagram.com/jillhcasid/
    1,278 Followers, 564 Following, 1,150 Posts - See Instagram photos and videos from Jill H Casid (@jillhcasid)

Jill H Casid | University of Wisconsin-Madison

    https://wisc.academia.edu/JCasid
    Jill H Casid. Jill H. Casid is Professor of Visual Studies at the University of Wisconsin-Madison where she founded and served as the first director of the Center for Visual Cultures. A historian, theorist, and practicing artist, her contributions to the transdisciplinary field of visual studies include her monographs Sowing Empire: Landscape ...

Jill Casid | University of Wisconsin-Madison - Academia.edu

    https://wisc.academia.edu/JillCasid
    Abstract Thinking with the current return to camera-less photography and specifically the use of the photogram in the context of Capitalocene crisis as scene of compounded death I call the Necrocene, this article unfolds a set of propositions on photography’s pressing relation to death. ... Geoffrey Batchen, Lisa Cartwright, Jill Casid ...

Photography: Lesbian, Post-Stonewall - glbtqarchive.com

    http://www.glbtqarchive.com/arts/photography_lesbian_post_stonewall_A.pdf
    Since 1991 Jill Casid (b. 1966) and Maria DeGuzman (b. 1964), as the queer feminist partnership SPIR--Conceptual Photography, have been working in collaboration with each other and with friends and colleagues to produce narrative photo-text sequences and single images that attempt to transform myths,

Unlimited Partnerships 2: SPIR: Jill Casid & Maria DeGuzman

    https://old.cepagallery.org/exhibitions/Unlimited2/spirstatement.html
    Jill Casid & Maria DeGuzman SPIR: Conceptual Photography - Artists' Statement. As SPIR, we have been working collaboratively since 1991 to produce narrative photo-text sequences. These sequences, multiple constructed scenes, or what we call "chromo-crypto-dramas," attempt to transform socially legislating myths, stereotypes, and icons and to ...

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