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Jeff Wall Photography, Bio, Ideas | TheArtStory
- https://www.theartstory.org/artist/wall-jeff/
- The Legacy of Jeff Wall. Wall is considered an innovative pioneer in reshaping conceptual photography and questioning the nature of a photographic 'truth.' According to Sheena Wagstaff of the Metropolitan Museum of Art, "He worked against the grain to develop the photographic genre into areas that it had utterly rejected or ignored."
Jeff Wall | Gagosian
- https://gagosian.com/artists/jeff-wall/
- He became involved with photography in the 1960s—the heyday of Conceptual art—and by the mid-1970s he had extended Conceptualism’s spirit of experimentation into his new version of pictorial photography. His pictures were made as backlit color transparencies, a medium identified at the time with publicity rather than photographic art ...
Jeff Wall | Artnet
- https://artnet.com/artists/jeff-wall/
- Jeff Wall is a leading contemporary Canadian photographer whose work is concerned with ideas about the nature of images, representation, and memory. His large-scale photographs appropriate the visual language of advertising in their use of backlit transparencies and large scale. The subjects are “cinematographic” reconstructions of everyday moments, fiction, and art history, …
Jeff Wall | MoMA - The Museum of Modern Art
- https://www.moma.org/artists/7826
- Introduction. Jeffrey Wall, OC, RSA (born September 29, 1946) is a Canadian artist best known for his large-scale back-lit Cibachrome photographs and art history writing. Early in his career, he helped define the Vancouver School and he has published essays on the work of his colleagues and fellow Vancouverites Rodney Graham, Ken Lum, and Ian ...
Jeff Wall - 54 Artworks, Bio & Shows on Artsy
- https://www.artsy.net/artist/jeff-wall
- Canadian, b. 1946. Influential photographer Jeff Wall is best known for constructing and photographing elaborate mise-en-scènes, which he displays in wall-mounted light boxes as large-scale color images. He takes his cues from the neorealism of Italian cinema, working …. Represented by internationally reputable galleries.
Jeff Wall born 1946 | Tate
- https://www.tate.org.uk/art/artists/jeff-wall-2359
- Wall was born and raised in Vancouver, Canada. While studying art history at the University of British Columbia in the 1960s, he became interested in Vancouver's experimental art scene and taught himself photography, seeing it as the best tool for expressing his conceptual ideas. He received his Bachelor of Arts degree in 1968, and his Master of Arts degree from the same …
Contemporary Photography Criticism: Jeff Wall, …
- https://jtdissues.blogspot.com/2012/01/jeff-wall-conceptual-art-and-light.html
- Jeff Wall, Conceptual Art, and Light Years at the AIC. In Jeff Wall’s “Marks of Indifference,” Wall discusses the relationship between photography and conceptual art, exploring the effect they had on each other. Central to this essay is the fact that “photography cannot find alternatives to depiction, as could the other fine arts.
26 Jeff Wall Quotes on Art and Conceptual Photography
- https://photogpedia.com/jeff-wall-quotes/
- Jeff Wall Quotes. I like photographs that don’t look altogether the way photographs are supposed to look. We don’t really know how photographs are “supposed to look.”. Painting has to do with touch…. That’s the eros specific to painting…. Photography is …
InTERvIEw Jeff wall Art after photography, after conceptual art
- https://www.radicalphilosophyarchive.com/issue-files/rp150_interview_wall.pdf
- the rethinking of the history of contemporary art, and to the relationship between photography and conceptual art in particular. His most important writings to date are collected in Jeff Wall: Selected Essays and Inter-views, Museum of Modern Art, New York, 2007. Jeff Wall, The Destroyed Room, 1978, Transparency in lightbox, 159 x 234 cm
Marks of Indifference: Aspects of Photography in, or as, …
- https://monoskop.org/images/d/d1/Wall_Jeff_1995_2003_Marks_of_Indifference_Aspects_of_Photography_in_or_as_Conceptual_Art.pdf
- Jeff Wall "Marks of Indifference": Aspects of Photography in, or as, Conceptual Art (1995) Originally published in Ann Goldstein and Anne Rorimer, Reconsidering the Object of Art, 1965-1975, ex h. cat. (Los Angeles: Museum of Contemporary Art, 1995), 247-267. Preface This essay is a sketch, an attempt to study the ways that photography occupied
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