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Kait Photography

Brisbane based photographer

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Japanese Postwar Photography

Interested in photography? At kaitphotography.com.au you will find all the information about Japanese Postwar Photography and much more about photography.


A Brief Introduction to Japanese Postwar Photography of …

    https://www.phillips.com/feature/a-brief-introduction-to-japanese-postwar-photography
    Postwar Japan emerged from the ruins of many of its big cities, which had been devastated and burnt down by air raids. In 1950, the first peak of Japanese postwar photography was reached with the photo-realism movement, involving …

An introduction to Japanese post-war photography

    https://www.christies.com/features/An-introduction-to-Japanese-post-war-photography-10341-1.aspx
    Collectively, the photographs produced during the post-war period in Japan represent one of the most significant contributions to the art form in …

Rising sons: the radical photography of postwar Japan – …

    https://www.theguardian.com/artanddesign/gallery/2020/sep/09/rising-sons-the-radical-photography-of-postwar-japan-in-pictures
    Between 1957 and 1972, Japanese photography was revolutionised ... twice! These images spotlight the Vivo artists and the …

Japanese Postwar Photography — Marc Feustel

    http://www.marcfeustel.com/jpp/
    I curated an exhibition of photographs by Hiroshi Hamaya, Shigeichi Nagano and Takeyoshi Tanuma entitled Japanese Postwar Photography, held at the Librairie Benoît Forgeot in Paris from 19–26 November 2005. We produced a small catalogue for the exhibition and I wrote an essay on the work of these three photographers. On August 15, 1945 the ...

Japanese Photography from Postwar to Now · SFMOMA

    https://www.sfmoma.org/exhibition/japanese-photography-postwar-now/
    One of the most significant contributions to the art of photography comes from postwar Japan. After World War II, the country began …

Expression Beyond Documentation: Japanese Post-War …

    https://www.mplus.org.hk/en/magazine/japanese-post-war-photography/
    Tam explains: ‘In post-war Japan, in addition to the well-known Gutai group, there were a number of other important artistic activities or phenomena that were much less well-documented, such as the ephemeral works of the Mono-ha movement.’ Many Mono-ha works were quite large and concerned with the relationship between objects and the surrounding space, making them …

The Provoke Era: Postwar Japanese Photography: Sandra …

    https://openspace.sfmoma.org/2009/09/provoke/
    One of our current collection exhibitions, The Provoke Era: Postwar Japanese Photography presents a number of pictures from that turbulent moment in Japanese history. After the devastation of World War II, Japan entered a period of American military occupation and modernization. Photographers reacted to the drastic sociocultural changes taking place by …

A Look at Post-War Japanese Photography in the Context …

    https://www.widewalls.ch/magazine/post-war-japanese-photography-provoke-valencia
    The short-lived Japanese magazine Provoke, founded in 1968, is nowadays recognized as a major contribution to postwar photography in Japan, featuring the country’s finest representatives of protest photography, vanguard fine art and critical theory in only three issues overall. The magazine's goal was to mirror the complexities of Japanese ...

Farewell Photography: The Hitachi Collection of Postwar …

    https://phxart.org/exhibition/farewell-photography/
    In 1988 and 1990, through grants from the Hitachi Corporation, the Center for Creative Photography (CCP) acquired 87 works by 19 contemporary Japanese photographers who promoted are-bure-boke and played integral roles in shaping Japanese photography of the postwar period. Farewell Photography: The Hitachi Collection of Postwar Japanese ...

Postwar Photography - National Gallery of Art

    https://www.nga.gov/features/in-light-of-the-past/postwar-photography.html
    Postwar Photography. Frederick Sommer, American, 1905–1999, Max Ernst, 1946, gelatin silver print, Pepita Milmore Memorial Fund, 2013.139.1. The surrealist artist Max Ernst considered this the definitive portrait of himself. Befitting the surrealists’ love of the happy accident, it came together by chance while Sommer was tidying up in his studio and found two negatives—a …

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