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Tōkyō Thrift – Japonisme and the Japanese Bauhaus
- https://www.dailyartmagazine.com/japanese-bauhaus/
- The founding of the Werkbund brought artists together from all over Europe and, while a thirst for the exotic no longer appeared to fuel efforts to modernize the artistic landscape, the artists who formed the precursor to the Bauhaus were intimately familiar with the Asian ideals that pervaded artistic trends of the late-1800s. That m…
Japan and the Bauhaus - DE magazine Deutschland
- https://www.deutschland.de/en/japan-and-the-bauhaus
- The fact that the modular principle with its geometric basic shapes taught at the Bauhaus could be merged with the shapes of Japanese …
Japan and the Bauhaus / Pen ペン
- https://pen-online.com/arts/japan-and-the-bauhaus/
- Japan eventually made its presence known on German soil when two Japanese students, Iwao Yamawaki and Takehiko Mizutani, joined the famous school. The latter was the first Japanese student of the Bauhaus, …
How Japan’s Imperial Architecture Influenced The Bauhaus
- https://somethingcurated.com/2021/11/24/how-japans-imperial-architecture-influenced-the-bauhaus/
- In line with this cross-cultural dialogue, in the early 1930s, designers Iwao Yamawaki and Michiko Yamawaki arrived at the gates of the Bauhaus in Dessau, having made their way there from Japan. The two designers sat through lectures in German, despite only having a basic knowledge of the language. As Michiko would reminisce years later ...
Photography at the Bauhaus | Essay | The Metropolitan …
- https://www.metmuseum.org/toah/hd/phbh/hd_phbh.htm
- Founded by the architect Walter Gropius (1883–1969) in 1919, the Bauhaus was a utopian haven for avant-garde artists during the period of radical change and …
Photography And The Bauhaus School | Light Stalking
- https://www.lightstalking.com/photography-and-the-bauhaus-school/
- Photography became an official artistic mode in 1929 when it was integrated into the advertising workshop. Before this, photography was just a tool used by the school for documenting the objects and products created by the Bauhaus. Photography became a subject of study ten years after the school's foundation.
Photography - Bauhaus Kooperation
- https://www.bauhauskooperation.com/knowledge/the-bauhaus/training/workshops/photography/
- The influences of the concepts New Vision and New Objectivity are evident in the photographs from this era. After the departure of Moholy-Nagy in 1928, photography at the Bauhaus was primarily used for advertising purposes. Photography only became a subject of study in Dessau in 1929, ten years after the founding of the Bauhaus.
From experiment to convention: photography in the …
- https://emulsive.org/articles/from-experiment-to-convention-photography-in-the-bauhaus-by-sam-sanchez
- Photography in the Bauhaus was photography of function and understanding, something that today’s photographers do for a living and live to do – regardless of genre, interest, skill, or background. It was capturing the experience of art, design, and life – all together through the viewfinder of new sight and seeing.
Photography - Bauhaus Kooperation
- https://www.bauhauskooperation.com/knowledge/the-bauhaus/works/photography/
- Originally, photos taken at the Bauhaus were only meant for documentation or advertising purposes. But with the rapid development of the young medium and the easy to use and Thanks to a whole number of Bauhauslers who took photos of students’ works, daily life and activities in the workshops, we can today still relate to the school’s spirit of renewal and creative impetus.
The Photographers of the New Bauhaus: An …
- https://www.mocp.org/pdf/education/FramingIdeas_Newbauhaus_Final.pdf
- of the New Bauhaus in 1937. There, Lerner invented the “light box,” a modified construction that he used to modulate and photograph the effect of light on objects (see image on page 2).
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