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Imogen Cunningham Photography, Bio, Ideas | TheArtStory
- https://www.theartstory.org/artist/cunningham-imogen/
- As part of the movement to tighten focus and carefully select framing, Cunningham is also associated with Straight Photography. Like Alfred Stieglitz in this respect, she moved organically from one mode of taking pictures to the other. She was part of Group f/64 alongside Ansel Adams, and Edward Weston.
Imogen Cunningham Trust | Imogen Cunningham Official …
- https://www.imogencunningham.com/
- Current Exhibitions Imogen Cunningham: A Retrospective 8 March - 12 June 2022 Imogen Cunningham enjoyed a long career as a photographer, creating a diverse body of work that underscores her vision, versatility, and commitment to the medium. The first major retrospective in... Getty Center, Los Angeles, CA
Imogen Cunningham | International Center of Photography
- https://www.icp.org/browse/archive/constituents/imogen-cunningham
- (1883 - 1976) American Biography Inspired by Gertrude Käsebier's photographs, Imogen Cunningham learned to use a 4x5 view camera via correspondence school. She studied chemistry at the University of Washington and, after graduating, worked in the studio of Edward Sheriff Curtis making commercial platinum prints.
Imogen Cunningham - WESTON GALLERY
- https://www.westongallery.com/original-works-by/imogen-cunningham
- She was a founding member of the West Coast-based Group f.64, which championed an un-manipulated, direct approach with the camera, or “straight” photography. Her photographs are represented in major collections and museums around the world. The Weston Gallery represents the Imogen Cunningham Trust and have vintage, modern as well as ...
Imogen Cunningham - American Photographer - Hundred Heroines
- https://hundredheroines.org/historical-heroines/imogen-cunningham/
- One of the first professional female photographers in the US and the most experimental and independent, Imogen Cunningham was born in Portland, Oregon. She was inspired to become a photographer by the great portraitist Gertrude Kasebier and sent off $15 to a correspondence school in 1901 for a 4×5 view camera and some glass plates.
Why Imogen Cunningham’s Photographs Bring Me …
- https://www.artsy.net/article/artsy-editorial-imogen-cunninghams-light-filled-photographs-soothing
- Cunningham’s early images would later influence the direction of Group f/64, but her focus on observational scenes didn’t spring from thin air. Before settling in the Bay Area and starting a family, Cunningham had studied for a period in Germany, where European ideas of “straight photography” had already taken root.
Imogen Cunningham - Wikipedia
- https://en.wikipedia.org/wiki/Imogen_Cunningham
- Imogen Cunningham ( / ˈkʌnɪŋəm /; April 12, 1883 – June 23, 1976) was an American photographer known for her botanical photography, nudes, and industrial landscapes. Cunningham was a member of the California-based Group f/64, known for its dedication to the sharp-focus rendition of simple subjects. Contents 1 Early life 2 Career 2.1 Germany
Imogen Cunningham – Ralph Nordstrom Photography
- https://ralphnordstromphotography.com/wordpress/2021/04/14/imogen-cunningham/
- As Cunningham’s style evolving into straight photography, she was a perfect fit for Group f/64 and in 1932 was a founding member along with Ansel Adams, Edward Weston and Willard Van Dyke. She explained the mission of Group f/64 this way. “This does not mean that we all used the small aperture, but we were for reality.
Imogen Cunningham: A great nature photographer
- https://nature-photography-central.com/Imogen_Cunningham.html
- At the age of ninety-two Imogen Cunningham began her last major portrait project, a book of images primarily of people over ninety years old. Unfinished at the time of her death, the book, entitled After Ninety, was published posthumously in 1977 to coincide with an exhibition of these photographs at the Focus Gallery in San Francisco.
Straight Photography Movement Overview | TheArtStory
- https://www.theartstory.org/movement/straight-photography/
- Straight photography emphasizes and engages with the camera's own technical capability to produce images sharp in focus and rich in detail. The term generally refers to photographs that are not manipulated, either in the taking of the image or by darkroom or digital processes, but sharply depict the scene or subject as the camera sees it.
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