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How Did Richard Avedon Influence Photography

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Richard Avedon | Photographer | Area of Design

    https://areaofdesign.com/richard-avedon/#:~:text=Avedon%E2%80%99s%20influence%20on%20photography%20was%20immense%2C%20and%20his,of%20subjects%20from%20Marilyn%20Monroe%20to%20Michael%20Moore.
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Richard Avedon, Photographer of Influence and Power – …

    https://forward.com/culture/306415/richard-avedon-photographer-of-power/
    Photographer Richard Avedon might have made his living on fashion, beauty and celebrities. But the eye behind some of the 20th century’s most iconic images also brought a keen political edge to his...

Richard Avedon Photography, Bio, Ideas | TheArtStory

    https://www.theartstory.org/artist/avedon-richard/
    Avedon's photography was heavily influenced by Brodovitch, who taught his young pupil that commercial and editorial work should never be approached as either tedious or mundane. Rather, it was the photographer's responsibility to be creative and bring fresh ideas to the shoot regardless of the subject matter.

On Photography: Richard Avedon, 1923-2004 - Photofocus

    https://photofocus.com/inspiration/on-photography-richard-avedon-1923-2004/
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‘Richard Avedon: Photographer of Influence’ - Review

    https://www.nytimes.com/2011/06/26/nyregion/richard-avedon-photographer-of-influence-review.html
    It was no surprise, then, that Avedon would grow up reading fashion magazines and gain recognition, initially, as a fashion photographer. By the time he photographed the Windsors, he was famous...

Richard Avedon - Photos, American West & Career

    https://www.biography.com/artist/richard-avedon
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Richard Avedon | American photographer | Britannica

    https://www.britannica.com/biography/Richard-Avedon
    Avedon’s fashion photographs are characterized by a strong black-and-white contrast that creates an effect of austere sophistication. In his portraits of celebrities and other sitters, he created a sense of drama by often using a stark, white background and eliciting a frontal, confrontational pose.

The Importance of Richard Avedon

    https://www.thecut.com/2009/05/the_importance_of_richard_aved.html
    Avedon was also groundbreaking in how he viewed beauty. Avedon shot portraits of everyday people in addition to fashion models. And in these he saw no distinction. “I certainly think — I know — that the apparent line between his fashion photography and his portraits was false, that he saw it as continuous work,” Mr. Gopnik said, adding that Avedon was amused at …

Richard Avedon The Photographer Photography Essay

    https://www.ukessays.com/essays/film-studies/richard-avedon-the-photographer-photography-essay.php
    Although he has always been very much in command of his own style, Avedon has also always been very much a product of his temporal milieu, and his work can be seen to benefit directly from the work of several photographers who, during the decades of the 1920s and ’30s, created a style of photography that was more realistic and also somewhat grimmer, a style of photography …

Richard Avedon | Photography and Biography

    https://www.famousphotographers.net/richard-avedon
    Apart from fashion and commercial photography, he did social and political photography as well. The Amon Carter Museum in Texas commissioned Avedon to photograph 125 people portraits in West America in 1979. In 1982, he did playful photography for Christian Dior. In 1992, he became the first permanent photographer of The New Yorker.

Monday’s Photography Inspiration – Richard Avedon

    https://photographyandvision.com/2016/05/30/mondays-inspiration-richard-avedon/
    Avedon quit Harper’s Bazaar in 1965 and joined Vogue where he worked for more than 20years. In 1992, he became the first staff photographer at the New Yorker where his portraiture redefined the aesthetic of the magazine. He also ran a commercial studio and is widely credited with erasing the line between “art” and “commercial” photography.

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