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6 Best Composition Techniques From Henri Cartier-Bresson
- https://expertphotography.com/henri-cartier-bresson-composition/#:~:text=The%20Composition%20Techniques%20of%20Henri%20Cartier-Bresson%201%20Figure-to-Ground.,5%20Fibonacci%20Spiral.%20...%206%20Decisive%20Moment.%20
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Henri Cartier-Bresson Photography, Bio, Ideas | TheArtStory
- https://www.theartstory.org/artist/cartier-bresson-henri/
- Henri Cartier-Bresson French Photographer and Filmmaker Born: August 22, 1908 - Chantelop-en-Brie, France Died: August 3, 2004 - Montjustin, France Movements and Styles: Modern Photography , Straight Photography , Photojournalism , Documentary Photography
6 Best Composition Techniques From Henri Cartier-Bresson
- https://expertphotography.com/henri-cartier-bresson-composition/
- Henri Cartier-Bresson was a humanist photographer. Humanist photography is like photojournalism, focused more on human elements than news. In humanist photography, more empathy is required and the ability to show situations from their subject’s perspective. Also influenced by Surrealism, these six techniques show how Bresson approached both. 1.
Henri Cartier-Bresson • Photographer Profile • Magnum …
- https://www.magnumphotos.com/photographer/henri-cartier-bresson/
- Born in Chanteloup-en-Brie, Seine-et-Marne, Henri Cartier-Bresson developed a strong fascination with painting early on, and particularly with Surrealism.In 1932, after spending a year in the Ivory Coast, he discovered the Leica – his camera of choice after that moment – and began a life-long passion for photography.
Henri Cartier-Bresson | French photographer | Britannica
- https://www.britannica.com/biography/Henri-Cartier-Bresson
- In the late 1960s Cartier-Bresson began to concentrate on making motion pictures—including Impressions of California (1969) and Southern Exposures (1971). He believed that still photography and its use in pictorial magazines was, to a …
Henri Cartier-Bresson - 20 artworks - photography - WikiArt
- https://www.wikiart.org/en/henri-cartier-bresson
- Henri Cartier-Bresson (French: [kaʁtje bʁɛsɔ̃]; August 22, 1908 – August 3, 2004) was a French humanist photographer considered a master of candid photography, and an early user of 35 mm film. He pioneered the genre of street photography, and viewed photography as capturing a decisive moment. His work has influenced many photographers.
The Art of Photography, Snapshots by Henri Cartier …
- http://www.photographyoffice.com/blog/2017/2/henri-cartier-bresson
- Henri Cartier-Bresson unsuccessfully studied music before turning his hand to art. He even received a Brownie camera as a child but it wasn’t until later that he discovered photography as an effective means of artistic expression. However, the death of his uncle, a gifted painter, during the First World War put a damper on his artistic studies.
Henri Cartier-Bresson | Artnet
- https://artnet.com/artists/henri-cartier-bresson/
- His dramatic black-and-white works are among the most iconic images of the 20th century. The artist is perhaps best known for his 1952 book The Decisive Moment, originally titled Images à la Sauvette (Images on the Run), the book explored his notion of photography as a candid medium.
Henri Cartier-Bresson Photographer - Street Photography
- https://streetphotography.com/henri-cartier-bresson-photographer/
- Henri Cartier-Bresson is, rightly speaking, a photographer in the most general sense. Some images are posed, some are candid; some of his photographs are portraits, some abstracts, some landscapes, and many are, yes, street photography proper. There is also a compelling argument to be made that HCB was a photojournalist at heart.
How to Become a Photography Icon: Henri-Cartier Bresson
- https://www.photodoto.com/henri-cartier-bresson/
- Henri wrote in his iconic book, The Decisive Moment, that his style of photography was “telling a story with one image.” “One unique picture who’s composition possesses such vigor and richness and who’s content so radiates outward from it that this single picture is a …
Henri Cartier-Bresson (1908–2004) | Essay | The …
- https://www.metmuseum.org/toah/hd/cabr/hd_cabr.htm
- In 1931, he began to use a camera and to make photographs that reveal the influence of Cubism and Surrealism —bold, flat planes, collagelike compositions, and spatial ambiguity—as well as an affinity for society’s outcasts and the back alleys where they lived and worked.
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