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Henri Cartier Bresson Photographs China

Interested in photography? At kaitphotography.com.au you will find all the information about Henri Cartier Bresson Photographs China and much more about photography.


Henri Cartier-Bresson: China breaking free of its past – in …

    https://www.theguardian.com/artanddesign/gallery/2020/jan/09/henri-cartier-bresson-china-breaking-free-of-its-past-in-pictures
    Henri Cartier-Bresson: China breaking free of its past – in pictures In November 1948, the great photographer went to shoot ‘the last …

Henri Cartier-Bresson: China 1948-1949 | 1958

    https://photographyofchina.com/blog/henri-cartier-bresson-china-1948-1949-1958
    One of the repercussions of “China 1948-1949” was that, from the fifties onwards, Henri Cartier-Bresson became a major benchmark in “new” photojournalism and the renaissance of photography in general. The books “The Decisive Moment” (Verve, 1952) and “D’une Chine à l’autre” (Delpire, 1954), prefaced by Jean-Paul Sartre, confirmed this supremacy.

Henri Cartier-Bresson: China, 1948-1949 / 1958 | TFAM

    https://www.tfam.museum/Exhibition/Exhibition_page.aspx?id=667&ddlLang=en-us
    From 1948 to 1949, Cartier-Bresson stayed in China for ten months, during which he published multiple photographs of what he saw and heard in China …

That Time Henri Cartier-Bresson Visited China In The 1940s

    https://www.forbes.com/sites/nadjasayej/2020/07/28/that-time-henri-cartier-bresson-visited-china-in-the-1940s/
    “ Henri Cartier-Bresson: China 1948-1949|1958 ” showcases his overlooked photojournalism work taken in China, between the years of 1948 and 1949, and then again in 1958. The photos are what the...

Henri Cartier-Bresson - Photography of China

    https://photographyofchina.com/blog/henri-cartier-bresson
    From the age of 22, the French photojournalist Henri Cartier-Bresson (1908-2004) was on the road most of the time, always with camera in hand. While he experimented surrealism through street photography in the early 1930s, he then turned to photojournalism after World War II. Cartier-Bresson is notably known for his concept of “decisive ...

Henri Cartier-Bresson’s China - For Sale on Artsy

    https://www.artsy.net/artist-series/henri-cartier-bresson-china
    Discover and collect art from Henri Cartier-Bresson’s iconic China series and more.

Henri-Cartier Bresson. China 1948-49 | 1958 - Mudec

    https://www.mudec.it/eng/henri-cartier-bresson-china-1948-49-1958/
    On November 25th, 1948, Henri-Cartier-Bresson was commissioned by Life magazine to shoot a story on the “last days of Beijing” before the arrival of the Maoist troops. Having gone for two weeks, we would stay for ten months, mainly in the Shanghai area, witnessing the fall of the city of Nanjing held by Kuomintang, then forced to stay in ...

The World of Henri Cartier-Bresson: Photographs from …

    https://www.sothebys.com/en/digital-catalogues/world-of-cartier-bresson
    This December, Sotheby’s New York is delighted to present The World of Henri Cartier-Bresson: Photographs from the Personal Collection of Peter Fetterman. ... China, 1948. Reproduced in: 'The City of Despair,' Illustrated, 22 January 1949, pp. 8-9 View Lot. Sumatra, Indonesia, 1949. Reproduced in: 'The New Indonesia,' LIFE, 13 February 1950 ...

Henri Cartier-Bresson Photography, Bio, Ideas | TheArtStory

    https://www.theartstory.org/artist/cartier-bresson-henri/
    Cartier-Bresson captures the chaos of the turbulent transition years of 1948-49 in Shanghai. Life magazine sent Cartier-Bresson to China to document the civil war and unrest that accompanied the political transition from the Chinese National Party, Kuomintang, to Communist rule under Mao Zedong and the People's Liberation Army.

Henri Cartier-Bresson almost goes back to China - White …

    https://www.whitefungus.com/henri-cartier-bresson-almost-goes-back-china
    Henri Cartier-Bresson: China did, in fact, make it to Taiwan, showing at the Taipei Fine Arts Museum from June to November 2020. Extra photographs were added, with 170 displayed in Taipei compared to 154 shown in Paris. At the opening, Taipei museum director Lin Ping declared, “The exhibition came to Taiwan 60 years too late.”

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