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Gum Bichromate Photography Process

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Gum Bichromate : 19 Steps - Instructables

    https://www.instructables.com/Gum-Bichromate/
    Step 17: Expose. To 'print' your image, you will have to expose your paper and your negative to sunlight. Choose a sunny day and lay your sensitized paper and your negative in the sun. You time will vary depending on your negative, your sensitizer, and the quality of sunlight.

Gum bichromate - Wikipedia

    https://en.wikipedia.org/wiki/Gum_bichromate
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Introduction to the gum bichromate process - National …

    https://blog.scienceandmediamuseum.org.uk/introduction-gum-bichromate-printing/
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Gum bichromate working methods

    https://www.alternativephotography.com/gum-bichromate-working-methods/
    Peter J. Black burn is showing how he works with the gum process: Getting Up Front and Personal with Gum Printing. Writer and photography / Peter J. Blackburn. ... that ignited the urgent and enduring desire within me to pursue gum bichromate printing. Mr. Langford’s textbook was part of the standard issue of materials divvied out for a ...

Gum Bichromate Prints - National Gallery of Art

    https://www.nga.gov/research/online-editions/alfred-stieglitz-key-set/practices-and-processes/gum-bichromate-prints.html
    Gum Bichromate Prints. Like carbon prints, the gum bichromate print process is based on the light-sensitive properties of dichromated colloids. The gum process was patented in 1855 but did not gain widespread popularity until the 1890s. The paper is coated with a solution of gelatin or gum arabic, potassium dichromate, and pigment.

The 19th century gum bichromate process in 21st …

    https://www.alternativephotography.com/19th-century-gum-bichromate-process/
    APIS can 2008; left side, original, right side tricolor gum bichromate. Gum Arabic is mixed with watercolor pigment and a photosensitive substance called ammonium dichromate, and brushed onto watercolor paper.When exposed to light in contact with an enlarged negative, where the light hits the most, the gum hardens the most and creates the shadow areas of the …

Gum Bichromate Process — New Old Photography

    https://platinumprince.com/history-of-processes/2019/4/10/gum-bichromate
    The gum bichromate process came into its own and was embraced by the Pictorialists somewhat later. It was viewed by its greatest proponents, such as Robert Demachy and Alfred Maskell as a process that helped add artistic texture to a print; it can give the effect of a painting or of a charcoal drawing. Demachy and Maskell wrote a book together ...

Gum bichromate | Cerámica Wiki | Fandom

    https://ceramica.fandom.com/wiki/Gum_bichromate
    Gum bichromate is a 19th century photographic printing process based on the light sensitivity of dichromates. It is capable of rendering painterly images from photographic negatives. Gum printing is traditionally a multi-layered printing process, but satisfactory results may be obtained from a single pass. Any color can be used for gum printing, so natural-color photographs are …

CHAPTER 18 THE GUM BICHROMATE PROCESS

    https://www.christopherjames-studio.com/GumBichromate3rdEdBookOfAltPro.pdf
    the process, and for those artists who are dedicated to it for life, gum bichromate slowly reveals itself to be one of the most complex in the alternative process genre. The gum bichromate process is ridiculously seductive. This is primarily due to its very limited chemistry, oh-so-simple water development, unlimited color palette using

Understanding the gum dichromate process in …

    https://www.jstor.org/stable/42751819
    Hermagis & Rossignol, 1898). The gum dichromate process, utilizing gum as the colloid and commonly known as gum bichromate or 'gum' by pictorialist artists, was officially announced by John Pouncy in 1858 (Wall et al ., 1924). Between the 1850s and the 1860s, the process was refined and improved by artists such as Alphonse Louis Poitevin, Thomas

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