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Gregory Crewdson - 77 Artworks, Bio & Shows on Artsy
- https://www.artsy.net/artist/gregory-crewdson
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Gregory Crewdson | Artnet
- https://artnet.com/artists/gregory-crewdson/
- Gregory Crewdson. Gregory Crewdson is an American photographer best known for staging cinematic scenes of suburbia to dramatic effect. His surreal images are often melancholic, offering ambiguous narrative suggestions and blurring the boundaries between fiction and reality. Working with large production teams to scout and shoot his images, his photographs have …
Gregory Crewdson’s Twilight photos - Public Delivery
- https://publicdelivery.org/gregory-crewdson-twilight/
- Gregory Crewdson with his 8×10 camera The Twilight series Twilight features a series of photographs that depict scenes of bizarre and unusual events with several of them appearing supernatural-like or even involving potential signs of extra-terrestrial life. Twilight consists of a total of 40 photographs that were captured between 1998 and 2002.
Gregory Crewdson | Gagosian
- https://gagosian.com/artists/gregory-crewdson/
- Gregory Crewdson, director of graduate studies in photography at the Yale School of Art, is opening his 2020 MFA Photography Pop Up Lecture Series to the public while the Yale campus goes online, hosting twenty-eight question-and-answer sessions with leading figures of contemporary film and photography on Zoom.
Gregory Crewdson - 29 Artworks for Sale on Artsy
- https://www.artsy.net/artist/gregory-crewdson/works-for-sale
- Gregory Crewdson’s uncanny cinematic photographs capture the ennui, eeriness, and decay at the heart of small-town America. Drawing on the work of photographers including William Eggleston and Diane Arbus and the fantastical films of Steven … Blue-chip representation Represented by internationally reputable galleries. Works for Sale (29)
Gregory Crewdson | Photography and Biography
- https://www.famousphotographers.net/gregory-crewdson
- His style of photography has been influenced by films, such as The Night of the Hunter, Blue Velvet, Safe, Close Encounters of the Third Kind, and Vertigo. Other influences include Diane Arbus and Edward Hopper. Between 1998 and 2001, Gregory Crewdson made a color series titled, Twilight. The images reminded viewers of Steven Spielberg‘s films. His recent photography …
In Focus: Gregory Crewdson | The Independent …
- https://independent-photo.com/news/gregory-crewdson/
- It was whilst shooting this project that Crewdson imagined what would later become his Natural Wonder series (1992–97), which consisted of photos of birds, insects and mutilated body parts presented in a surreal manner in domestic settings. This clash of domestic, suburban and surreal is what Crewdson would become known for.
Gregory Crewdson - Dream House - Exhibitions - Berggruen Gallery
- https://www.berggruen.com/exhibitions/gregory-crewdson
- For Dream House, Gregory Crewdson continues to take elaborately staged photographs exploring the underside of American home life. He uses suburbia as the backdrop against which his own psychological dramas unfold. Theatrical lighting and special effects de-familiarize scenes that could take place anywhere in middle-class America.
Gregory Crewdson: The Mystery in Everyday Life
- https://photogpedia.com/gregory-crewdson/
- The Times, How Gregory Crewdson captured the dark heart of America, June 2017 Huck Magazine, Gregory Crewdson spends years crafting photos on a cinematic scale, 2017. Gregory Crewdson: 1985-2005, Hatje Cantz, 2005 Twilight: Gregory Crewdson, Abrams 2002. Gregory Crewdson: Brief Encounters, 2012 There But Not There: Gregory Crewdson …
Gregory Crewdson - Body of Work & Contextual Studies
- https://neil513702.photography/research-task-1-gregory-crewdson/
- Gregory Crewdson – Beneath the Bridge, from ‘Cathedral of the Pines’, 2014 In his series Cathedral of the Pines (2013-2014) his subjects appear ‘ traumatized by mysterious events or suspended in a fugue state ’ (Gagosian, 2021) and is a theme that runs through his work, this tension he manages to generate, that have an ‘ eerie quietude ’ (Artsy, 2021) very often …
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