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Photographing Bloody Sunday: the complex legacy of the …
- https://theconversation.com/photographing-bloody-sunday-the-complex-legacy-of-the-troubles-most-iconic-images-175095
- Documentary photography during Bloody Sunday produced some of the most evocative images of the Troubles. Stephen Barnes / Alamy Stock Photo. On January 30 1972, dozens of photographers arrived in ...
Documenting Bloody Sunday: ‘I saw people alive, no gun, …
- https://www.irishtimes.com/culture/books/documenting-bloody-sunday-i-saw-people-alive-no-gun-and-then-dead-1.4778639
- Photographer Gilles Peress bore witness to some of the Bloody Sunday killings. In this image, Paddy Walsh moves towards Patrick Doherty after he was shot. Photograph: Gilles Peress/Magnum A group...
A French photographer recalls Bloody Sunday (1972)
- https://alphahistory.com/northernireland/gilles-peress-bloody-sunday-1972/
- Gilles Peress was a French photojournalist known for covering situations involving tension, violence and conflict. Peress was present in Londonderry during the ‘Bloody Sunday’ riots and shootings in January 1972 and recalls those events here: “I remember the beginning of the march, when it left the Creggan Estate–I think Martin McGuinness was speaking to people.
Bloody Sunday, Derry, Gilles Peress | Mia
- https://collections.artsmia.org/art/32776/bloody-sunday-gilles-peress
- Bloody Sunday, Derry, 1972. Gilles Peress expand_more. Gelatin silver print expand_more. Gift of David and Mary Parker expand_more ... 1972. Artist Gilles Peress. Nationality French. Artist Life born 1946. Role Photographer. Gallery Not on View. Department Photography and New Media. Dimension. 35 7/8 x 23 7/8 in. (91.12 x 60.64 cm) (image) 40 x ...
Gilles Peress • Photographer Profiles • Magnum Photos
- https://www.magnumphotos.com/photographer/gilles-peress/
- Peress is Professor of Human Rights and Photography at Bard College, NY and Senior Research Fellow at the Human Rights Center, UC Berkeley. Peress joined Magnum Photos in 1971 and served three times as vice-president and twice as president of the co-operative. He and his wife, Alison Cornyn, live in Brooklyn with their three children.
Gilles Peress’ sprawling document of The Troubles
- https://www.1854.photography/2022/06/gilles-peress-the-troubles-steidl-photobook/
- Peress was 26 when he arrived in Ulster on one of many trips as a Magnum photographer. In 1972, he photographed the British Army’s senseless massacre of 13 innocent civilians and peaceful protesters in a civil rights march on Bloody Sunday. His images of the slain were broadcast around the globe. Bloody handkerchiefs. Approaching armed soldiers.
‘My journey towards the IRA started on Bloody Sunday’
- https://www.irishtimes.com/news/ireland/irish-news/my-journey-towards-the-ira-started-on-bloody-sunday-1.3247159
- A sequence of photographs, taken by French photographer Gilles Peress, shows his father in the moments before he was shot. He is crouching in front of a low wall, a handkerchief over his face ...
40 Photographs of The Troubles, The Northern Ireland Conflict
- https://historycollection.com/40-photographs-troubles-northern-ireland-conflict/
- Derry / Londonderry. 30th January 1972. As the shooting starts on Bloody Sunday, people fall to the ground. Gilles Peress G.B. Northern Ireland. Londonderry. Riots following the deaths of two Catholic teenagers who were accidentally killed by British Army troops who drove into a group of rioters hurling petrol bombs.
DBPFP22: Gilles Peress - The Photographers' Gallery
- https://thephotographersgallery.org.uk/dbpfp22-gilles-peress
- Peress was present in Northern Ireland during the Bloody Sunday massacre and after the reintroduction of internment, and he returned many times throughout the 1980s to produce the images in the book. From the dual perspectives of the ‘Prod’ (Protestant) and of the ‘Taig’ (Catholic), Peress’s witnessing is immersive and immediate.
Magnum Photos - Gilles Peress' photographs of Bloody.
- https://www.facebook.com/MagnumPhotos/posts/10159620739174831
- Gilles Peress' photographs of Bloody Sunday feature in the New York Times.
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