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George Baker Photography Between Narrativity And Stasis

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Photography between Narrativity and Stasis: August …

    https://www.jstor.org/stable/778773
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George Baker - UCLA Art History

    https://arthistory.ucla.edu/faculty-profiles/george-baker/
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George Baker on The Expanded Field of Photography

    https://abeird.blogspot.com/2010/11/george-baker-on-expanded-field-of.html
    The other part of that must then be that it is impossible for a photographic image to completely be a narrative, as a "photograph" will always …

KATIE O'NEILL: Photography's Expanded Field - George …

    https://artstaaaar.blogspot.com/2010/11/photographys-expanded-field-george.html
    Baker discusses the importance of the "talking picture" also, or the fusion of narrative and stasis. Here, Baker is discussing the a variety of work, from the "painterly depictions of digital montage" (134), (Wall, Davenport) to the Hollywood Tableaux (Crewdson), to pairing of images with sounds, text, projection, video, (Gerard Byrne, Douglas Gordon), in what he would call "narrative caption."

PhotoWhat?: Expanding Fields - Blogger

    https://gabriellebakanec.blogspot.com/2011/11/expanding-fields.html
    This is where the altered forms of photography can develop, and it is specifically these altered forms that need to be mapped out beginning with Baker's two terms "narrativity" and "stasis." Narrativity describes the ability of an image to contain narrative movement within itself while stasis refers to the ability of a photograph to be a stopped moment of time.

Photography in the Third Reich - Editor’s Introduction

    https://books.openedition.org/obp/18338
    5 George Baker, ‘Photography between Narrativity and Stasis: August Sander, Degeneration and the Deat 9 In line with the development and use of documentary and creative modernist photography in other parts of the world, Weimar Germany (1919–1933) also quickly established the photographic form as a revelatory medium to document the German people.

Photography's Expanded Field The MIT Press Stable URL

    http://www.davidroy.net/files/library/george_baker_photo.pdf
    Photography's Expanded Field GEORGE BAKER I begin not with a negative, nor with a print, but with a screen. On the screen can be seen a landscape, a campus it seems, identified by cheerful signage ... How to describe its hesitation between motion and stasis, its stubborn petri- faction in the face of progression, its concatenation into movement ...

Photography expanded by Ana Maria Schultze - Issuu

    https://issuu.com/arteeducadora/docs/photography_expanded
    George Baker, “Photography Between Narrativity and Stasis: August Sander, Degeneration, and the Decay of the Portrait,” October 76 (Spring 1996), pp. 73–113. August Sander. Left: Young ...

History of Photography — Readings between Midterm

    https://quizlet.com/174871398/history-of-photography-readings-between-midterm-final-flash-cards/
    Photography Between Narrativity and Stasis: The Decay of the Portrait - George Baker August Sanders photographed "social types," farmers, butchers, and ordinary people in 1930s Germany. Each individual can be representative of other individuals of their social class and profession.

Photography's Expanded Field - ResearchGate

    https://www.researchgate.net/publication/240678359_Photography's_Expanded_Field
    40 As George Baker wrote in his reflection on "Photography's Expanded Field" ... Photography between Narrativity and Stasis: August Sander, Degeneration, and the Decay of the Portrait.

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