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Kait Photography

Brisbane based photographer

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Gelling Flash Photography

Interested in photography? At kaitphotography.com.au you will find all the information about Gelling Flash Photography and much more about photography.


How to Use Flash Gels in Photography: The Essential Guide

    https://www.photoworkout.com/flash-gels/
    Flash Gel Photography: Correcting Colors. Say that you’re photographing a person in front of an orange streetlamp. You’re using a flash, but the flash keeps coming out a cold blue color (as naked flashes do!). How do you address this? You put a gel over the flash, one that will warm up the light (e.g., yellow or orange) and can balance out any cold color casts from the …

How to use gels on your flash to create better photos

    https://www.theclickcommunity.com/blog/using-gels-on-your-flash/
    Gels can be great tools to enhance the look of your flash photographs. They can be used to creatively change the light or to match the look of another light in the frame. Most of the time when I pick up my flash for use off camera (OCF), I gel my flash to a certain color to change the color of the light that strikes my subject.

Gelling your flash - Photography Forum

    https://www.photographytalk.com/forum/lighting-and-flash/235571-gelling-your-flash
    For those of you who gel your flash, if you are shooting a wedding with tungsten lighting and CTO (color temperature orange) gel, how much of the filter are... Gelling your flash - Photography Forum PhotographyTalk

Flash Photography with Gels for Portraits in the Shade

    https://www.picturecorrect.com/tips/flash-photography-with-gels-for-portraits-in-the-shade/
    Hall’s creative solution to this is to add a half Color Temperature Blue (CTB) gel to his flash unit. This matches the color of your flash to the ambient light of shade. Then, when you increase the white balance you’ll have the same flash effect you’d have as if shooting in full daylight.

gelling a flash | Floridaography……

    https://floridaography.com/tag/gelling-a-flash/
    Photography 101 Tips; Worthy Destinations; Tag Archives: gelling a flash. Tech Tip: Gelling your Flash. Posted on February 25, 2016 by chowjudge. If you’re shooting a lot under tungsten or strip lights flash is useful to fill-in, or even to provide additional light, but the discrepancy in color temperatures can be a problem. Do you shoot with ...

How to Take Awesome Color Gel Photography: 10 Ideas

    https://expertphotography.com/color-gel-photography/
    1. Try Gel Photography Outdoors. Artificial lighting and color gels are not limited to a studio setting. The same rules apply when you use color gels and flash units outdoors. The only difference is that you have to be mindful of the ambient light around you. Unlike shooting in a studio, you can’t really control the sun.

Gelling the Flash - Tangents forum

    https://neilvn.com/forum/discussion/331/gelling-the-flash
    When gelling, choose 'Kelvin' as your WB and then key in around 3700-4000 for 1/2 or around 2800-3000 for full CTS. You need to do some tests, take shots with gel and make sure you dial up/down the Kelvin, taking notes then open image on PC.

Wedding photography: Video light vs (gelled) flash - Tangents

    https://neilvn.com/tangents/wedding-photography-video-light-vs-gelled-flash/
    In summary, we gel our flash, to improve the color balance in the photo, and avoid an overly saturated murky orange background, when our subject is lit by flash, and the background is lit by incandescent lighting or warm lighting of some kind. We can reduce this difference in color temperature / white balance, by adding a gel to our flash.

Gelling Your Flash: Episode 149: Exploring Photography …

    https://www.youtube.com/watch?v=jp0-xHL_cqQ
    http://www.adorama.comAdoramaTV presents Exploring Photography with Mark Wallace. In this episode, Mark shows you how to balance your speed light with Rogue ...

Gelling a flash | Mike Dooley Photography | Facebook

    https://www.flickr.com/photos/dooleys333/4491200017/
    The images is this collage are intended to determine how much light is lost by adding the gel to the flash, and to determine if different strength gels change the exposure. The result - adding a gel to the flash eats up about 2/3's of a stop of light, and it does not appear to matter what strengh gel is used.

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