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Eugene Atget - Artists - Howard Greenberg Gallery
- https://www.howardgreenberg.com/artists/eugene-atget#:~:text=Despite%20the%20prevailing%20taste%20for%20soft-focus%2C%20painterly%20photography%2C,the%20historic%20art%20and%20architecture%20of%20the%20capital.
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Eugène Atget Photography, Bio, Ideas | TheArtStory
- https://www.theartstory.org/artist/atget-eugene/
- Atget used photography to describe the different aspects of Paris opposed in many respects to the forms taken on by large-scale modernization. He chose specifically typical architecture before transformation, and small trades or "petits métiers" such as "ice-cream vendors", "wire-basket merchants" or "violet sellers" before their abolition.
Eugène Atget | International Center of Photography
- https://www.icp.org/browse/archive/constituents/eug%C3%A8ne-atget
- Eugène Atget was a French photographer best known for his photographs of the architecture and streets of Paris. He took up photography in the late 1880s and supplied studies for painters, architects, and stage designers. Atget began shooting Paris in 1898 using a large format view camera to capture the city in detail. His photographs, many of which were taken at dawn, are …
Eugène Atget - 26 artworks - photography - WikiArt
- https://www.wikiart.org/en/eugene-atget
- Atget took up photography in the late 1880s, around the time that photography was experiencing unprecedented expansion in both commercial and amateur fields. Atget photographed Paris with a large-format wooden bellows camera with a rapid rectilinear lens, an instrument that was fairly current when he took it up, but which he continued to use even when hand-held and more …
Eugène Atget | French photographer | Britannica
- https://www.britannica.com/biography/Eugene-Atget
- Eugène Atget, in full Jean-Eugène-Auguste Atget, (born February 12, 1857, Libourne, near Bordeaux, France—died August 4, 1927, Paris), French commercial photographer who specialized in photographing the architecture and associated arts of Paris and its environs at the turn of the 20th century. Very few biographical facts are known about Atget.
On Photography: Eugène Atget, 1857-1927 - Photofocus
- https://photofocus.com/inspiration/on-photography-eugene-atget-1857-1927/
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Eugène Atget | MoMA
- https://www.moma.org/artists/229
- Atget’s entry into the field of photography coincided with a series of developments within the medium. The 1880s were a period of tremendous growth for professional and amateur photography alike, as its commercial and industrial applications expanded.
Eugène Atget | Photography and Biography
- https://www.famousphotographers.net/eugene-atget
- In order to take pictures of Paris, he worked with a large format camera that had a swift rectilinear lens. From 1897 until 1927, Eugène Atget captured the beauty of Paris at the time before the landscape of the city changed. His photos show shops, courtyards, narrow streets, old buildings, palaces, quays, and bridges.
Eugène Atget | Artnet
- https://artnet.com/artists/eugène-atget/
- Eugène Atget was an early French photographer who captured images of the rapidly disappearing elements of Paris during the waning 19th century. His straight forward yet wistful style served as an inspiration for generations of photographers, including the Surrealist Man Ray and the American Berenice Abbott. “For more than 20 years by my own work and personal initiative I …
Eugène Atget: Photographing Paris, 1898–1925 - Fine …
- https://fac.coloradocollege.edu/exhibits/eugene-atget-photographing-paris/
- During his career Atget methodically photographed the vestiges of old Paris as the city was swiftly being modernized. Atget had a business selling his photographs as “documents for artists.” His prints were used as reference materials by artists and designers responding to a public nostalgia for the style of the previous era.
Masters of Photography: Eugene Atget
- http://masters-of-photography.com/A/atget/atget_articles3.html
- Text by James Borcoman, from Eugene Atget, 1857-1927 Style The subject and style of Atget's work may be analyzed as part of a continuum begun by the Paris School in the 1850s. On one level, the concept of photography as a pictorial and archaeological museum, first declared by Francis Wey in 1851, is an integral part of Atget's vision.
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