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(PDF) Documentary and Propaganda: The Photographs …
- https://www.academia.edu/es/24942366/Documentary_and_Propaganda_The_Photographs_of_the_Farm_Security_Administration
- Documentary and Propaganda: The Photographs of the Farm Security Administration. The Journal of Decorative and Propaganda Arts, 1988. Michael Carlebach.
The FSA Photographs: Information, or Propaganda?
- https://www.bu.edu/writingprogram/journal/past-issues/issue-1/the-fsa-photographs-information-or-propaganda/
- During Franklin D. Roosevelt’s presidency, the Farm Security Administration, a part of his New Deal bureaucracy, produced a multitude of well-known photographs documenting the impact of the Great Depression on rural America. This photographic record of the Depression, which provided work for photographers as well as illustrated the need for often vigorously …
Documentary and Propaganda: The Photographs of the …
- https://www.semanticscholar.org/paper/Documentary-and-Propaganda%3A-The-Photographs-of-the-Carlebach/166e7bf355abe458400dbd471e7e64219fcb4da7
- DOI: 10.2307/1503967 Corpus ID: 158129013; Documentary and Propaganda: The Photographs of the Farm Security Administration @inproceedings{Carlebach1988DocumentaryAP, title={Documentary and Propaganda: The Photographs of the Farm Security Administration}, author={Michael L. Carlebach}, year={1988} }
The Masterful Documentary Photographers of the Farm Security …
- https://casualphotophile.com/2022/03/31/the-masterful-documentary-photographers-of-the-farm-security-administration/
- Russell Lee ( 1903-1986) Born in Illinois, Lee was known for being one of the most prolific photographers at the FSA. He produced thousands of images while employed there. He is celebrated for his attention to detail and photos showcasing the beauty and the vastness of the American West.
Farm Security Administration's documentary photographs
- https://photostoots.com/farm-security-administration-documentary-photographs/
- The photographs produced for the Farm Security Administration (FSA) are recognized as a one of the pinnacle productions of “documentary” photography in the United States. The impetus for the FSA project was to provide visual support for a variety of federal departments in the U.S. government charged with responsibilities outlined in Pres. Franklin D. …
One Third of a Nation: The Photographs of the Farm Security …
- https://monovisions.com/one-third-of-a-nation-the-photographs-of-the-farm-security-administration/
- One Third of a Nation: The Photographs of the Farm Security Administration. A tale of America, told through iconic photographs from the 1930s, is the subject of One Third of a Nation: The Photographs of the Farm Security Administration, which depicts the challenges impoverished families were enduring with photographs by Dorothea Lange, Walker Evans, and …
Overview: The Farm Security Administration - Archives
- https://www.archives.gov/files/atlanta/education/depression-curriculum/section-2.pdf
- Between 1935 and 1943, FSA photographers produced nearly eighty thousand pictures of life in Depression-era America. This remains the largest documentary photography project of a people ever undertaken. President Roosevelt created the Farm Security Administration (FSA) in 1937 to aid poor farmers, sharecroppers, tenant fanners and migrant workers.
Documentary Photography: The Farm Security Administration
- https://documentaryphotography6.blogspot.com/2011/02/farm-security-administration-office-of.html
- The assignment’s crew ended up taking roughly 270, 000 pictures, with some members gaining reputations as leading creators of documentary photography, namely: Dorothea Lange, Walker Evans, Arthur Rothstein and Ben Shahn. The Office of War Information Collection was created in 1942 and served as a propaganda agency during World War II.
The Art of History: The Farm Security Administration
- https://www.mentalfloss.com/article/19245/art-history-farm-security-administration
- Aug 2, 2008. When the Farm Security Administration (FSA), part of the New Deal, began its photography program in 1935, the intent was not to create art, but to depict the challenges of rural ...
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