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Kait Photography

Brisbane based photographer

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Cr Stecyk Photography

Interested in photography? At kaitphotography.com.au you will find all the information about Cr Stecyk Photography and much more about photography.


C.R. Stecyk III – BEYOND THE STREETS

    https://beyondthestreets.com/pages/craig-r-stecyk-iii
    CR Stecyk III was a writer and production designer on the Sundance award-winning documentary Dogtown and Z-Boys and is one of the founders of Juxtapoz magazine. Stecyk has written and photographed extensively on the topics of art, surfing, skateboarding, custom car culture, and obscure California history.

C.R Stecyk III's Mono Prints – BEYOND THE STREETS

    https://beyondthestreets.com/blogs/articles/c-r-stecyk
    Native Angeleno C.R. Stecyk III is a multimedia artist widely acknowledged as a major influence within the genres of graffiti and street art. Stecyk’s mono prints are iconic to his practice of surreptitiously placing poster pieces in out-of-context environments, a format chosen as homage to common trade advertisements and deliberately designed at 14” x 22” — the industry …

C. R. Stecyk III - Wikipedia

    https://en.wikipedia.org/wiki/C._R._Stecyk_III
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Craig Stecyk – Fine Art Framed Prints – ARCHIV-E

    https://archiv-e.com/collections/c-r-stecyk
    Craig Stecyk. A Southern California native (b. 1951), Stecyk is known for his artwork, writing and photographs documenting surfing and skateboarding culture beginning in the early 1970s. His life was portrayed in the 2001 award-winning documentary Dogtown and Z-Boys and the film Lords of Dogtown in 2005.

Craig Stecyk Photos and Premium High Res Pictures

    https://www.gettyimages.com/photos/craig-stecyk
    Jim Hyman and Craig Stecyk at the book-signing of 'Surf Photography of the 1960s and 1970s' by Leroy Grannis on May 20th, 2006 at Taschen's book... Detail of the installation, "Faith, Hope and Charity," by artist Craig Stecyk in the lobby of MOCA in Los Angeles on March 25, 2013.

C R Stecyk III - A Prophet - Huck Magazine

    https://www.huckmag.com/outdoor/skate/c-r-stecyk-iii/
    Having spent the best part of four decades documenting the ebb and flow of Californian skate history – as a writer, photographer, filmmaker and artist – C.R. Stecyk III boasts bylines aplenty. He co-founded Zephyr Surfboards and Skateboards, co-wrote Dogtown And Z-Boys, and has participated in over 300 international art shows.

Artist C.R. Stecyk, III – Arbor Collective

    https://www.arborcollective.com/pages/artist-cr-stecyk-iii
    C.R. Stecyk III For almost 50 years as an artist, writer, photojournalist, and filmmaker, C.R. Stecyk III has been transforming the DNA of surf, skate, and snowboarding. His contributions have altered the evolutionary path of the art, attitude, and outlook that define the culture. He is considered by most to be the god

Craig R. Stecyk III - Home | Facebook

    https://www.facebook.com/craigrstecykiii
    Craig R. Stecyk III. An excellent in-depth look at the early skateboard scene in Venice, where Craig explains the origins of the Dogtown name and logo : Back in the 1980's the skaters of Venice Beach, California had to make due with what they had: an old abandoned pavilion on the boardwalk and a few scraps of...

CR Stecyk III – 2010 – Skateboarding Hall of Fame and Museum

    https://skateboardinghalloffame.org/2020/04/cr-stecyk-iii-2010/
    CR Stecyk III – 2010. In the late 1970s, as an original member of the Dogtown skateboard gang in Southern California, Stecyk changed the look and attitude of skateboarding forever. As a result of familial and neighborhood connections in the Venice and Santa Monica areas of Los Angeles, Stecyk grew up around car customizers and auto style ...

Understanding Craig Stecyk - Longreads

    https://longreads.com/2019/07/22/understanding-craig-stecyk/
    Perhaps Stecyk’s most formidable dissent from the newly scrubbed-clean surfing image was “Malibu: Curse of the Chumash,” which appeared in Surfer in 1976 under the nome de guerre Carlos Izan.. Done in vignettes, “Chumash” is a dense, 450-year history of the development of Malibu and its surf scene using the area’s long-gone original inhabitants as a metaphor.

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