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Cinestill 50D photos on Flickr | Flickr
- https://www.flickr.com/photos/tags/Cinestill%2050D/
- Weight: 70 tons. This photo was taken by a Kowa/SIX medium format film camera and a KOWA 1:2.8/85mm lens with a Kowa L1A ø67 filter using Cinestill 50D film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop. tavaszi hérics /Adonis vernalis/ by …
CineStill 50D samples - Photo Jottings
- https://photojottings.com/cinestill-50d-samples/
- CineStill 50D Xpro is actually Kodak Vision3 50D 5203 color negative film, which has a coating called ‘remjet’ for use in motion picture cameras; however, Cinestill has removed the coating so it can be developed in standard color print C-41 chemicals. Kodak Technical info here.
Cinestill 50D 35mm & 120 Film Review - The Darkroom …
- https://thedarkroom.com/film/50d/
- Cinestill 50D which is a daylight color balanced color negative motion picture film. The remjet backing has been removed making easily developed as c-41 and gives a unique halation effect. It’s an incredibly fine grained film with unrivaled exposure latitude which is why we recommend erring on overexposure when shooting this film.
Film: Cinestill 50D · Lomography
- https://www.lomography.com/films/871961381-cinestill-50d/photos
- We absolutely love creative photography. Discover a huge range of cameras, lenses, accessories and films to experiment with. Become part of our fun community, share your fantastic photos with friends and read the latest photography tips, news and features.
cinestill50d photos on Flickr | Flickr
- https://www.flickr.com/photos/tags/cinestill50d/
- Canon AE-1. Canon 50mm 1.4. Cinestill 50D. Cinestill Painterly by tourtrophy. 144 11. I don't quite remember what aperture I have used with this photo. It must have been quite wide because the focus was on those tree branches in front definitely while the background was relatively blurred. This is probably due to the very shallow depth of field ...
CINESTILL 50D - FILM REVIEW - Photo Basecamp
- https://photobasecamp.com/cinestill-50d-film-review/
- But that films lesser popular sibling, Cinestill 50D, is another favorite of mine. The film is actually Kodak Vision 3 50D (also known as Kodak 5203/7203) – a color negative motion picture film. Fuji TX-1 XPAN – Love this film paired with this camera. Working in animation and being a HUGE movie buff, the idea of shooting on the film used by ...
CineStill 50D vs 800T Photo Comparison Part 2 - The …
- https://thedarkroom.com/cinestill-50d-800t-comparison/
- This is Part 2 of a 2-part series on CineStill film – CineStill Photo Comparisons Part 1. Both CineStill 800T and 50D offer a new world of shooting opportunities. Each provides a cinematic look, making your images stand out, and you can’t go wrong there. Which film to choose will come down to the shooting environment you are going to be in.
CineStill 50D Film Stock Review » Shoot It With Film
- https://shootitwithfilm.com/cinestill-50d-film-stock-review/
- Pros & Cons. There are quite a few pros to this amazing film, one of them being that CineStill 50D comes in both 35mm and 120! You get both the option of shooting 35 and medium format, which, for me, makes this film stock even more versatile. Another huge pro is this film can be shot at 100 ISO without the need for pushing from your lab.
Cinestill 50D Film Friday review and feature — The Codex
- https://bluemooncameracodex.com/film-fridays/ffcinestill50d
- Cinestill 50D is actually Kodak Vision 3 50D (otherwise known as Kodak 5203/7203) color negative motion picture film. Cinestill acquires the Vision 3 50D film from Kodak and then uses their process to remove the film’s rem-jet backing, allowing the film to be easily processed by any lab in C-41 chemistry.
Cinestill 50D Review | Film Review | Analogue Wonderland
- https://analoguewonderland.co.uk/blogs/film-review/cinestill-50d-review
- As you can see, Cinestill 50D is balanced for 5500K which puts it smack bang in the middle of the spectrum, in the green/blue area corresponding to natural sunlight. So when you shoot 50D within this range - i.e. in a scene with daylight colour temperature - then it will give amazing true-to-life colours, a vivid and detailed replication of the subject that you captured, …
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