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Cindy Sherman Photography Untitled Film Stills

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MoMA | Cindy Sherman. Untitled Film Stills. 1977–80

    https://www.moma.org/learn/moma_learning/cindy-sherman-untitled-film-stills-1977-80/
    Cindy Sherman’s Untitled Film Stills is a suite of 70 black-and-white photographs made over the course of three years in which the artist posed in the guises of various generic female film characters, among them, ingénue, working girl, vamp, and lonely housewife.

Cindy Sherman’s Untitled film stills - Public Delivery

    https://publicdelivery.org/cindy-sherman-untitled-film-stills/
    Untitled Film Stills is a series comprising of 69 black and white photographs by Cindy Sherman, which she created between 1977 and 1980. …

Cindy Sherman – Untitled Film Stills, 1977-1980 - artlead

    https://artlead.net/journal/modern-classics-cindy-sherman-untitled-film-stills/
    Cindy Sherman – Untitled Film Stills, 1977-1980 Cindy Sherman’s Untitled Film Stills comprises of over seventy black and white photographs made between 1977 and 1980. When thinking about this series, some aspects of her entire body of work immediately come to mind: disguise and theatricality, mystery and voyeurism, melancholy and vulnerability.

Portraits of America: Cindy Sherman’s Untitled Film Stills

    https://magazine.artland.com/portraits-of-america-cindy-shermans-untitled-film-stills/
    Untitled Film Stills consists of seventy 8×10-inch black-and-white pictures: sixty-nine taken from 1977 to 1980, plus one added later to the series. In each photograph, the artist posed as a different character inspired by female roles in films from the 1950s and 60s; film noir and B-movies, but also Italian Neorealism and the French New Wave.

Cindy Sherman. Untitled Film Still #13. 1978 | MoMA

    https://www.moma.org/collection/works/56576
    Cindy Sherman’s Untitled Film Stills is a suite of seventy black-and-white photographs in which the artist posed in the guises of various generic female film characters, among them, ingénue, working girl, vamp, and lonely housewife.

Cindy Sherman’s Untitled Film Stills - For Sale on Artsy

    https://www.artsy.net/artist-series/cindy-sherman-untitled-film-stills
    Cindy Sherman Untitled Film Stills (Limited Edition Porcelain Tray commissioned by the Sundance Institute), New in Original Sundance Box, 2015, 2015 EHC Fine Art US$1,350 Cindy Sherman Outtake, from the "Untitled Film Stills" series, c. 1977 Laurence Miller Gallery US$15,000–US$20,000 Cindy Sherman Untitled Film Still #6, 1997 ArtWise US$1,500

CINDY SHERMAN | UNTITLED FILM STILL #10 - Sotheby's

    https://www.sothebys.com/en/buy/auction/2019/contemporary-photographs/cindy-sherman-untitled-film-still-10
    CINDY SHERMAN B. 1954 UNTITLED FILM STILL #10 signed, titled '#10,' dated, and editioned '3/10' in pencil on the reverse, framed, 1978 7⅜ by 9½ in. (18.7 by 24.1 cm.) Condition report Provenance Metro Pictures, New York, 1987 Private collection Sotheby's New York, 7 October 1998, Sale 7194, Lot 466 Literature

Untitled Film Stills: Cindy Sherman's Self-Portraits in ... - Bygonely

    https://www.bygonely.com/untitled-film-stills-cindy-sherman/
    Photography Untitled Film Stills: Cindy Sherman’s Self-Portraits in Stereotypical Female Roles from the 1970s 326 Views American visual artist Cindy Sherman is best known for her black and white photographs, Untitled Film Stills, which were primarily made between 1977 and 1980, an era during which she achieved international recognition.

Cindy Sherman – ‘Untitled Film Stills’ (1977-1980)

    https://neil513702.photography/cindy-sherman-untitled-film-stills-1977-1980/
    Untitled Film Stills (1977-1980) Fig. 1. Cindy Sherman – Untitled Film Still #21, 1978 Cindy Sherman takes on different identities to deceive the viewer into thinking it is someone else thus avoiding her own personality coming through.

Cindy Sherman | Untitled Film Still #21 | The Metropolitan …

    https://www.metmuseum.org/art/collection/search/266784
    Photographs Untitled Film Still #21 1978 Cindy Sherman American Not on view Between 1977 and 1980 Sherman photographed herself in a series of sixty-seven scenarios staged to suggest the cinematic tropes of midcentury Hollywood. Here, she assumes the guise of the Hitchcockian "career girl" alone on the streets of the big city.

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