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Brisbane based photographer

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Chuck Close Photography Style

Interested in photography? At kaitphotography.com.au you will find all the information about Chuck Close Photography Style and much more about photography.


Chuck Close - Paintings, Quotes & Facts - Biography

    https://www.biography.com/artist/chuck-close#:~:text=Steeped%20heavily%20in%20the%20abstract%20world%2C%20Close%20radically,models%20that%20he%20then%20re-created%20on%20large%20canvases.
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Chuck Close Paintings, Bio, Ideas | TheArtStory

    https://www.theartstory.org/artist/close-chuck/
    Close emerged from the 1970s painting movement of Photorealism, also known as Super-Realism, but then moved well beyond its initially hyper-attentive rendering of a given subject to explore how methodical, system-driven portrait painting based on photography's underlying processes (over its superficial visual appearances) could suggest a wide range of artistic and …

Chuck Close | Biography, Art, Style, & Facts | Britannica

    https://www.britannica.com/biography/Chuck-Close
    In 1998 the Museum of Modern Art in New York City mounted a major retrospective of Close’s portraits. Close has been called a Photo-realist, a Minimalist, and an Abstract Expressionist but, as the 1998 retrospective proved, his commitment to his unique vision and his evolving techniques defy any easy categorization.

Chuck Close | Pace Gallery

    https://www.pacegallery.com/artists/chuck-close/
    Chuck Close is known for his innovative conceptual portraiture, depicting his subjects, which are transposed from photographs, into visual data organized by gridded compositions. Throughout his childhood and adolescence, Close used art as a means of navigating a learning disability.

Chuck Close - 11 artworks - painting - WikiArt

    https://www.wikiart.org/en/chuck-close
    Charles Thomas "Chuck" Close (born July 5, 1940) is an American painter, artist and photographer who achieved fame as a photorealist, through his massive-scale portraits. Close often paints abstract portraits of himself and others, which hang in collections internationally. Close also creates photo portraits using a very large format camera.

Chuck Close Photographer | All About Photo

    https://www.all-about-photo.com/photographers/photographer/1209/chuck-close
    He takes pictures in the style of street photography. They have some feelings, lonely, surreal, and humorous. He also has a unique sensitivity to the distance between society and people, and the perspective from which he views them.

Chuck Close Photographs - Henry Art Gallery

    https://henryart.org/exhibitions/chuck-close-photographs
    Chuck Close Photographs represents the full range of the artist’s exploration of photography—from early black and white maquettes for his paintings to monumental composite Polaroids and intimately-scaled daguerreotypes.

A look through Chuck Close’s unique lens | Architectural …

    https://www.architecturaldigest.com/story/chuck-close-photographer
    A new monograph about Chuck Close, published by Prestel. More astounding are the breadths and depths he mapped and mined within the medium— gravitating from black-and-white in the mid-1960s to ...

Chuck Close - Paintings, Quotes & Facts - Biography

    https://www.biography.com/artist/chuck-close
    With a brush taped to his wrist, Close continued to paint, but in a style that was more abstract and less precise. In his later years, Close's work …

Chuck Close - DTR Modern

    https://www.dtrmodern.com/portfolio/chuck-close/
    Chuck Close is associated with the style of painting called Photorealism or Superrealism. In this style, artists in the early 1970s created a link between representational systems of painting and photography. Photorealism developed as a reaction to the detachment of Minimalism and conceptual art, which did not depict representational images.

Chuck Close | Art Style Analysis - UKEssays.com

    https://www.ukessays.com/essays/arts/life-and-work-of-chuck-close-art-essay.php
    When he left the UW for Yale in 1962, Close changed his style completely, dumping abstract paintings based on de Kooning in favor or “photorealist” portraits. He turned his back on abstraction in favor of photorealism because he wanted to “find his own voice” and not continue to do work similar to that of his UW mentor, Art Professor Alden Mason.

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