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Making of a Judgment Seat: Photography in the Museum of ... - A…
- https://www.academia.edu/7245638/Making_of_a_Judgment_Seat_Photography_in_the_Museum_of_Modern_Art_between_1929_and_1940#:~:text=She%20argues%20that%20to%20some%20extend%20the%20photography,with%20its%20exhibitions%2C%20publications%20and%20with%20increasing%20authority.
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The Judgment Seat of Photography - JSTOR
- https://www.jstor.org/stable/778362
- The Judgment Seat of Photography 29 between two modes of reception of art. Cult value was rooted in art's origins in religious/magical ritual, whence the unique presence manifested in the aura of the work of art. Exhibition value involved the gradually changing function of the work of art as it became portable and (later) duplicable - thus, the passage
The Judgement Seat of Photography – Simon Beirne – …
- https://simon513313documentary.net/2020/11/16/the-judgement-seat-of-photography/
- Notes on Christopher Phillips ‘The Judgement Seat of Photography’ Phillips, C (s.d.) The Judgement Seat of Photography in Bolton, R. (1989) The Contest of Meaning: Critical Histories of Photography (The MIT Press). (New Ed edition) (s.l.): MIT Press. Walter Benjamin suggested mechanical reproduction means veneration of photography as art is no longer …
[PDF] The Judgment Seat of Photography | Semantic …
- https://www.semanticscholar.org/paper/The-Judgment-Seat-of-Photography-Phillips/b34c1a3423a289c7085b582f0e4bd13f05448425
- Christopher Phillips Published 23 January 1982 Art October ion in Photography. MoMA installation. 1951. 50 The Judgment Seat of Photography Two irregular series of smaller exhibitions clearly showed the limitations of Steichen's approach when applied to the handling of historical and serious contemporary photography.
Christopher Phillips The Judgment Seat of …
- https://www.jstor.org/stable/778360
- Christopher Phillips The Judgment Seat of Photography 27 Linda Nochlin The De-Politicization of Gustave Courbet: Transformation and Rehabilitation under the Third Republic 65 Perry Meisel Alienating Alienation: Fredric Jameson's Revisionary Romance 79 Rosalind Krauss When Words Fail 91 Benjamin H. D. Buchloh Documenta 7: A Dictionary of ...
Making of a Judgment Seat: Photography in the Museum …
- https://www.academia.edu/7245638/Making_of_a_Judgment_Seat_Photography_in_the_Museum_of_Modern_Art_between_1929_and_1940
- She argues that to some extend the photography director stands as the most critical and influential source of ‘photographic legitimation’ in the United States, originating a problem that derives from the conservative values rooted in the very foundations of the department.1 Christopher Phillips in his highly influential essay The Judgment Seat of Photography (1982), …
View from a Judgment Seat – Aperture Foundation NY
- https://aperture.org/editorial/view-judgment-seat-quentin-bajac-conversation-philip-gefter/
- You’re referring to what has been called the “judgment seat of photography,” to cite Christopher Phillips’s essay, written in the 1980s, about MoMA’s role in photography. But that was thirty years ago. Today, MoMA is only one of the judgment seats. Now there are other major institutions involved in photography.
Exercise: The Judgement Seat of Photography.
- https://barneycase-documentary.blogspot.com/2016/02/exercise-judgement-seat-of-photography.html
- Exercise: The Judgement Seat of Photography. Exercise: The Judgement Seat of Photography. From a photographic print, for example, one can make a number of prints; to ask for the “authentic” point makes no sense. That which withers in the age of mechanical reproduction is the aura of the work of art.
(PDF) Making of a Judgment Seat: Photography in the …
- https://www.academia.edu/es/7245638/Making_of_a_Judgment_Seat_Photography_in_the_Museum_of_Modern_Art_between_1929_and_1940
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Beyond Newhall? – Fotomuseum Winterthur
- https://www.fotomuseum.ch/en/2020/05/06/beyond-newhall/
- the essay is “the judgment seat of photography” by christopher phillips, 2christopher phillips, “the judgment seat of photography”, in: october, no. 22 (fall 1982), 27–63. reprinted and translated several times in the years and decades to come – a harsh (and brilliant) discussion of the canonizing power of the museum of modern art that has become …
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