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Bill Brandt Photography Techniques

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10 things to know about Bill Brandt | Christie's

    https://www.christies.com/features/10-things-to-know-about-Bill-Brandt-8822-1.aspx#:~:text=He%20also%20utilised%20new%20cinematography%20techniques%2C%20reworking%20negatives,his%201946%20image%20of%20Giant%E2%80%99s%20Causeway%20in%20Ireland.
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Bill Brandt: Working Methods - V&A

    https://www.vam.ac.uk/articles/bill-brandt-working-methods
    Bill Brandt Working in the darkroom The chief hallmark of Brandt's social documentary photographs is formal clarity, which he often achieved in the darkroom by cropping under the enlarger and by emphasizing tonal contrasts in printing.

Bill Brandt: Shadows of Life - Photogpedia

    https://photogpedia.com/bill-brandt/
    At night Brandt visited the overcrowded shelters (tube stations, church crypts, and cellars) and photographed families huddled in cold, uncomfortable spaces. His use of artificial light and the contrast between shadow and light make these images incredibly powerful.

Bill Brandt: the beautiful and the sinister – in pictures

    https://www.theguardian.com/artanddesign/gallery/2022/apr/18/bill-brandt-beautiful-sinister-in-pictures
    Bill Brandt: capturing the beautiful and the sinister – in pictures. An exhibition of the work of the acclaimed photographer and photojournalist explores the …

The Beautiful and The Sinister in Bill Brandt's Photography

    https://www.widewalls.ch/magazine/bill-brandt-photography-foam
    Brandt experimented mostly with nudes, and these images show his interest in psychoanalysis and surrealism and are characterized by strong lighting contrast, the dominance of elements like mirrors, doors, and windows as symbols of escape.

Bill Brandt | MoMA

    https://www.moma.org/artists/740
    British, born Germany. 1904–1983. An English photographer of German birth, Bill Brandt traveled to Vienna in 1927 to see a lung specialist and then decided to stay and find work in a photography studio. There, in 1928, he met and made a successful portrait of the poet Ezra Pound, who subsequently introduced Brandt to the American-born, Paris-based photographer Man Ray. …

Bill Brandt Archive

    https://www.billbrandt.com/
    The Bill Brandt Archive represents the Estate of Bill Brandt (1904-83). We produce limited editions of his work, create catalogs, create exhibitions and license the copyrights of the artist. ... The Photography of Bill Brandt. Welcome; Books; News; Reviews; Video; Collect; Nude, East Sussex Coast, 1958. Inspirational Photography. Don't miss a ...

Bill Brandt | International Photography Hall of Fame

    https://iphf.org/inductees/bill-brandt/
    The images he created with the unnatural perspective, unusual viewpoints and the use of strange lighting shocked people at the time, but forever broadened the boundaries of imagery. Most of his influential work with nudes was taken in Normandy and on the Sussex Coast . In 1961 Brandt published his first book of nudes, Perspective of Nudes.

10 things to know about Bill Brandt | Christie's

    https://www.christies.com/features/10-things-to-know-about-Bill-Brandt-8822-1.aspx
    He also utilised new cinematography techniques, reworking negatives of images shot during the day so that they appeared to have been taken at night. He used a Rolleiflex camera for portrait images, and a Hasselblad camera with a super-wide angle lens for his landscape works, such as his 1946 image of Giant’s Causeway in Ireland.

Biography: Bill Brandt - Black & White Photography Magazine

    https://monovisions.com/bill-brandt/
    Photography Masters, Photojournalism 10 February 2015 0. Bill Brandt (born Hermann Wilhelm Brandt, 2 May 1904 – 20 December 1983), was a German-British photographer and photojournalist. Although born in Germany, Brandt moved to England, where he became known for his high-contrast images of British society, his distorted nudes and landscapes, and …

28 Bill Brandt Quotes to Learn From - Photogpedia

    https://photogpedia.com/bill-brandt-quotes/
    The Best Bill Brandt Quotes. The photographer must first have seen his subject or some aspect of his subject as something transcending the ordinary. It is part of the photographer’s job to see more intensely than most people do. He must have and keep with him something of the receptiveness of the child who looks at the world for the first ...

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