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Bill Brandt Night Photography

Interested in photography? At kaitphotography.com.au you will find all the information about Bill Brandt Night Photography and much more about photography.


Bill Brandt | MoMA

    https://www.moma.org/artists/740
    An English photographer of German birth, Bill Brandt traveled to Vienna in 1927 to see a lung specialist and then decided to stay and find work in a photography studio. There, in 1928, he met and made a successful portrait of the poet Ezra Pound, who subsequently introduced Brandt to the American-born, Paris-based photographer Man Ray.

Bill Brandt | Artnet

    https://www.artnet.com/artists/bill-brandt/
    (British, 1904–1983) Bill Brandt was a famous German-born British photographer and photojournalist. Best known for documenting British life in the 20th century, he often focused on night scenes, family life, portraits of artists, and the struggles of working-class people.

Bill Brandt Archive

    https://www.billbrandt.com/
    The Bill Brandt Archive represents the Estate of Bill Brandt (1904-83). We produce limited editions of his work, create catalogs, create exhibitions and license the copyrights of the artist. ... The Photography of Bill Brandt. Welcome; Books; News; Reviews; Video; Collect; Nude, East Sussex Coast, 1958. Inspirational Photography. Don't miss a ...

V&A · Bill Brandt – Setting The Scene

    https://www.vam.ac.uk/articles/bill-brandt-setting-the-scene
    Bill Brandt Brandt's second photobook, A Night in London, was published in London and Paris in 1938. It was based on Paris de Nuit (1936) by the French photographer Brassaï. The book tells the story of a London night, moving between different social classes and again made use of Brandt's family and friends.

Bill Brandt: Shadows of Life - Photogpedia

    https://photogpedia.com/bill-brandt/
    At night Brandt visited the overcrowded shelters (tube stations, church crypts, and cellars) and photographed families huddled in cold, uncomfortable spaces. His use of artificial light and the contrast between shadow and light make these images incredibly powerful.

Bill Brandt | International Photography Hall of Fame

    https://iphf.org/inductees/bill-brandt/
    His second book, A Night in London, followed in 1938. During World War II, he recorded the effects of the war in London . Many of the photographs were taken at night, without flash, during the city’s blackouts. Influence by Brassai, who remained his lifelong friend, Brandt’s night-time images are saturated with mood and atmosphere.

Bill Brandt — WESTON GALLERY

    https://www.westongallery.com/original-works-by/bill-brandt
    Bill Brandt. (BRITISH 1904-1983) Having apprenticed to Man Ray, Brandt originally began his career working as a photojournalist on assignment. His photography was a singular and idiosyncratic mixture of straight reportage with a consistent, if subtle, streak of strangeness - the legacy of surrealism. He would eventually turn from “straight ...

Bill Brandt, A Night in London, 1938 - GorillaSites.com

    http://www.gorillasites.com/BillBrandt_ANightInLondon1938_scannedPhotosOnly.pdf
    Bill Brandt, A Night in London,1938 This was Brandt’s second book (his first, The English at Home of 1936 is in the library). It is a portrait of the city from dusk to dawn, told through images that hover between straight documentary and the staged, a style best described as ‘photo-illustration’, perhaps.

Bill Brandt leaves picture-perfect legacy - South China …

    https://www.scmp.com/lifestyle/arts-culture/article/1511986/bill-brandt-leaves-picture-perfect-legacy-and-its-show-art
    Brandt was born in Hamburg in 1904 and moved to Paris to work in Man Ray's studio for a period in 1929, mingling with the Surrealist artists. Like Brassai, he became known for his night photography.

Bill Brandt: "Shadow And Light" - Photography Book Review

    https://artofcreativephotography.com/photography-book-reviews/bill-brandt-shadow-and-light/
    Bill Brandt (1904-1983) understood his photography as a tool to teach us to see the “world as fresh and strange”. He believed that the ability to do so lies in every one of us, yet often deeply hidden. Bill Brandt saw photography’s aim in bringing back “a sense of wonder”.

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