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Baudrillard’s Photographic Theory – International Journal …
- https://baudrillardstudies.ubishops.ca/baudrillards-photographic-theory/
- When Baudrillard (1993b; Delahaye and Baudrillard, 1999) argues that only the inhuman is photogenic this does not mean that he is advocating photography that is inhuman in the sense of being cruel, barbaric, and deliberately lacking in …
Baudrillard and a Short History of Psychiatric Photography
- https://baudrillardstudies.ubishops.ca/baudrillard-and-a-short-history-of-psychiatric-photography/
- Operating at the borders of art, science and philosophy, photography is fundamentally an anthropological enterprise (Baudrillard, 1999b: 139), exploring the limits of the human. Thus, for Baudrillard, photography contains an …
Jean Baudrillard’s photography - Ali Shirjian
- https://alishirjian.com/project/jean-baudrillards-photography/
- This photo exhibition was Jean Baudrillard’s photography investigation. He was one of the most important thinkers of the 20th century, from France but his ideas and thought are universal. Based on the writer’s evidence, the Matrix film was produced based on his theories, although he was not satisfied by the film result!
Some thoughts on Jean Baudrillard’s photography
- https://www.aqnb.com/2016/01/06/some-thoughts-on-jean-baudrillards-photography/
- Jean Baudrillard, ‘New York’ (1992). Courtesy Château Shatto, Los Angeles. Photography presented a kind of documentary medium for Baudrillard, one where human forms and systems persist particularly in their absence. In a 1996 interview in Art Press, he reflected on his work, “That my photographs are beautiful or not does not interest me.
The Photographic Veil: Jean Baudrillard’s Photographs …
- https://medium.com/giphantie-journal/the-photographic-veil-jean-baudrillards-photographs-and-writing-on-photography-5423a862a747
- Jean Baudrillard, Photography, Or The Writing Of Light, 2000 Rio, 1996 Baudrillard’s claim that “It is more an anthropological arrangement that …
Jean Baudrillard: Photographies 1985-1998 | Bildersturm
- https://bildersturm.blog/2015/10/23/jean-baudrillard-photographies-1985-1998/
- Jean Baudrillard: Photographies 1985-1998. Jean Baudrillard (27 July 1929 – 6 March 2007) was a French sociologist, philosopher, cultural theorist, political commentator, and photographer. He is best known for his analyses of media, contemporary culture, and technological communication, as well as his formulation of concepts such as ...
"Jean Baudrillard's photography: Ultimate Paradox" - art-agenda
- https://www.art-agenda.com/reviews/jean-baudrillards-photography-ultimate-paradox/
- Standing shirtless in front of a full-length mirror, Baudrillard's face is covered by his camera, sparking a fiery flash that creates a few flaming patches of light on his skin as he stands in a charcoal shade.
About Baudrillard Photographies 1985-1998. Christa Steinle
- https://www.baudrillard-scijournal.com/about-baudrillard-photographies-1985-1998-christa-steinle/
- I would like to express my deepest gratitude to Jean Baudrillard for granting the Neue Galerie the honor and privilege to be the first to exhibit his photographs, this new aspect of Baudrillard, in a large solo show and in an extensive catalogue. Originally published in Jean Baudrillard: Photographies 1985-1998, 2000, Hatje Cantz Publishers ...
Representation through Documentary: A Post-Modern …
- https://artifactsjournal.missouri.edu/2012/03/representation-through-documentary-a-post-modern-assessment/
- Baudrillard develops this critique by suggesting that as soon as one tries to represent reality, the process of its destruction begins: Some aspects of it, both benign and impactful, will inevitably be omitted. In the case of documentaries, this is most obvious during the essential editing process.
Jean Baudrillard and the Challenge of Photography - MAST
- http://mast-nemla.org/archive/vol2-no1-2021/Jean_Baudrillard_and_the_Challenge_of_Photography.pdf
- Study of Baudrillard’s photographs makes it clear that he was fascinated with inanimate objects: architectural details, automobiles, urban landscapes, interiors, advertising billboards. In these photographs, the narcissistic object takes centre stage, reflecting Baudrillard’s view of photography as “the conduit of pure objectality”
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