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DEATH IN THE PHOTOGRAPH - The New York Times
- https://www.nytimes.com/1981/08/23/books/death-in-the-photograph.html#:~:text=Part%20of%20the%20problem%20is%20that%20Barthes%27s%20view,conclusions%20clear%20no%20space%20for%20argumentation%20or%20elaboration.
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4 Ideas from the Photographic Writings of Roland Barthes
- https://www.bhphotovideo.com/explora/photography/tips-and-solutions/4-ideas-photographic-writings-roland-barthes
- In his early writing on photography, Barthes studied it the way that he studied language, methodically picking apart advertisements and press …
Roland Barthes: "The Photographic Paradox"
- https://artofcreativephotography.com/essay/the-photographic-paradox-roland-barthes/
- Although Barthes recognizes that in the process of taking a picture, a reduction (or alteration) “in proportion, perspective and color” is taking place, which results in the fact that “the image is not real”. However, he defines the photographic image as “perfectly analog to reality”. And that’s because common sense recognizes it as such.
Understanding Roland Barthes’ problem with photography
- https://photofocus.com/found/understanding-roland-barthes-problem-with-photography/
- Whichever the case, if you’re in the mood for more learning, the insights of French literary theorist and philosopher Roland Barthes on photography may inspire you. In the latest video above, Jamie Windsor introduces us to “Camera Lucida,” a short book of Barthes’ philosophical musings on photography that was first published in 1980. Among the terms and …
Camera Lucida: Reflections on Photography: Barthes, …
- https://www.amazon.com/Camera-Lucida-Reflections-Roland-Barthes/dp/0374532338
- Commenting on artists such as Avedon, Clifford, Mapplethorpe, and Nadar, Barthes presents photography as being outside the codes of language or culture, acting on the body as much as on the mind, and rendering death and loss more acutely than any other medium.
Roland Barthes. Camera Lucida: Reflections on …
- https://garagemca.org/en/programs/publishing/roland-barthes-roland-barthes-camera-lucida-reflections-on-photography
- Returning to his concept of photography as ‘pure contingency’ and an ‘emanation of the referent’, Barthes explains that he first thought of analyzing it after his mother’s death in 1977. Looking through her photographs, he discovered what he would later call punctum in a photo of her as child in a winter garden.
Roland Barthes on Photographing the Unconscious in Camera …
- https://bookoblivion.com/2018/12/08/roland-barthes-camera-lucida/
- The French literary theorist, Roland Barthes (1915 – 1980), explores the power of photography in his 1979 book, Camera Lucida. In this explosive work, Barthes demonstrates how still images simultaneously represent and affect the psyche. It is no wonder that he focuses on the way photography can communicate loss and grief more effectively than any other artistic …
Roland Barthes on Photography: The Critical Tradition in …
- https://www.amazon.com/Roland-Barthes-Photography-Perspective-Crosscurrents/dp/0813014697
- She shows Barthes' affinities with and distinction from other theorists of photography such as Baudelaire and Benjamin and examines his thought in the context of postmodern discussions of photography that followed it. Barthes enjoyed a long and shifting relationship with photography, first using it as metaphor, then exploring its use in movies, film stills, political campaigns, and …
The Photographic Message – Roland Barthes | Yatesweb
- https://www.yatesweb.com/the-photographic-message-roland-barthes/
- Prima facie, for Barthes a photograph is a depiction of reality, or, as he notes, a message without a code. That reality is defined by perspective, colours and so forth, with the creation of an analogue of that reality, an analogon. This reminds my of my undergraduate days. One of my final essays was the Criteria for Diagrammatic Truth.
Getting Started with Photo Theory: Szarkowski, Sontag, …
- https://www.bhphotovideo.com/explora/photography/features/getting-started-with-photo-theory-szarkowski-sontag-and-barthes
- “The view proposed in On Photography—that our capacity to respond to our experiences with emotional freshness and ethical pertinence is being sapped by the relentless diffusion of vulgar and appalling images—might be called the conservative critique of the diffusion of such images… In a more radical—cynical—spin on this critique, there is nothing to defend: the vast maw of …
Key Theories of Roland Barthes - Literary Theory and …
- https://literariness.org/2018/03/20/key-theories-of-roland-barthes/
- Barthes’s writing on photography shows, says the noted philosopher of technology, Bernard Stiegler, that the photograph is constitutive of the self because it is (part of) the self. It does not represent or express the self. This is an ‘orthographic’ moment (a moment of absolutely accurate reproduction), where part of the past is ...
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