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Anne Zahalka - Appropriation - Google
- https://sites.google.com/site/appropriationartworks/anne-za
- Anne Zahalka is a famous artist not only because of the fact that her works look good, but also because they represent and show the Australian identity by …
Anne Zahalka, National Portrait Gallery
- https://www.portrait.gov.au/people/anne-zahalka-1957
- In her practice Zahalka reconstructs recognisable imagery to explore concepts of identity, cultural and gender diversity, and the environment. Concepts of appropriation and the subversion of art historical motifs and signifiers are interwoven with the artist's restaging of …
HOME - ANNE ZAHALKA
- https://zahalkaworld.com.au/
- ABOUT ANNE ZAHALKA. Anne Zahalka is one of Australia’s most highly-regarded photo-media artists having exhibited extensively in Australia and overseas for more than thirty years. Her work has often explored cultural stereotyping and has challenged these with a humorous and critical voice. She deconstructs familiar images and re-presents them ...
Anne Zahalka
- https://zahalkaworld.com.au/wp-content/uploads/2015/11/Anne-Zahalka-Twelve-Australian-Photographers.pdf
- Zahalka’s appropriation technique and interest in gender and the gaze was familiar from postmodernist artists such as Richard Prince and Barbara Kruger, but the deconstructive form also shows her exploration of digital imaging at a time of its recent emergence in the early 1990s. Landscape and the real world returned to Anne Zahalka’s
Anne Zahalka Biography, Artworks & Exhibitions | Ocula Artist
- https://ocula.com/artists/anne-zahalka/
- Anne Zahalka is an Australian-born artist whose photo-based practice is best known for its reconstruction of recognisable images to address issues relevant to cultural diversity, gender, and difference in Australian society. The artist was born in Sydney in 1957 to a Jewish-Austrian mother and Catholic-Czech father.
Anne Zahalka | AustralianPhotographers.org
- http://www.australianphotographers.org/artists/anne-zahalka
- Anne Zahalka works in a variety of photographic modes including documentary and digital photography, montage and studio-based tableau to explore themes of identity and environment. In her 1995 series, Open House, the private, domestic spaces of Zahalka’s friends are the settings for a group of portraits that are at once intimate and self-conscious.
Anne Zahalka captures our past and present - Dumbo …
- https://www.dumbofeather.com/conversations/anne-zahalka-captures-our-past-and-present/
- Australians who know art know Anne Zahalka, our feature artist for issue 48. After more than 30 years on the contemporary art stage, Anne’s work has cemented its place in art history, becoming an important part of the Australian cultural landscape she’s explored throughout her career. When I take in her vast portfolio I can’t help but ...
Explore the work of Australian artist, Anne Zahalka
- https://www.vizardfoundationartcollection.com.au/the-nineties/explore/anne-zahalka/
- Zahalka’s technique bears the trademark postmodern strategy: the appropriation and revision of the conventions of art history and popular visual culture. However, her true relevance lies in her ability to represent a clear, perceptive and evocative visual commentary on people, places and cultures. - Lara Travis
Anne Zahalka is a contempory Australian Artist who …
- https://www.boredofstudies.org/courses/arts/visual/2002_Visual_A_Appropriation_Paul.pdf
- " Anne Zahalka is a contempory Australian Artist who examines and questions the notions of gender established in European art through the device of appropriation." Senior Artwise book A similarity of both Zahalka and Hall is that they use the medium of photography,in Hall's case, being interested in the possible effects of phototgraphy.
The Bathers, 1989, printed 1990, Bondi: playground of the …
- https://www.artgallery.nsw.gov.au/collection/works/96.1990/
- Anne Zahalka 1995 1 Anne Zahalka, in her tableaux, forces the viewer to question what is being looked at. Zahalka did this by taking familiar images from the media and from the history of Australian art and remaking them in ways which reflect the diversity of contemporary life rather than received notions.
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