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How English Photographer Anna Atkins Captured the Science of B…
- https://www.thecollector.com/how-english-photographer-anna-atkins-captured-science-botany/#:~:text=Atkins%E2%80%99%20medium%20of%20choice%20was%20cyanotype%20photography%2C%20a,brilliant%20shade%20of%20blue%20when%20developed%20in%20sunlight.
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How English Photographer Anna Atkins Captured the Science of …
- https://www.thecollector.com/how-english-photographer-anna-atkins-captured-science-botany/
- Cyanotype photography, also called sun printing or blueprinting, is a photography technique that, compared to other methods in the 1840s, was accessible and affordable for an amateur English photographer like Anna Atkins. This process did not require owning a camera or having access to expensive chemical materials.
Anna Atkins - Photography
- https://photoeducation.weebly.com/anna-atkins.html
- Anna Atkins Atkins used the Cyanotype process which had been invented in 1842 by Fox Talbot’s associate Sir John Herschel. The process involves nothing more than light sensitive paper, sunlight and water and results in beautifully subtle negatives of the objects captured, perfect for the botanist wishing to study the exact shapes, textures and patterns of natural forms.
Anna Atkins | English photographer and botanist | Britannica
- https://www.britannica.com/biography/Anna-Atkins
- Anna Atkins, original name Anna Children, (born March 16, 1799, Tonbridge, Kent, England—died June 9, 1871, Halstead Place, Kent), English photographer and botanist noted for her early use of photography for scientific purposes. Anna Children, whose mother died soon after she was born, was involved from an early age in the scientific activities that occupied her …
Anna Atkins's cyanotypes: the first book of photographs
- https://www.nhm.ac.uk/discover/anna-atkins-cyanotypes-the-first-book-of-photographs.html
- English botanical artist, collector and photographer Anna Atkins was the first person to illustrate a book with photographic images. Her nineteenth-century cyanotypes used light exposure and a simple chemical process to create impressively detailed blueprints of botanical specimens. Anna's innovative use of new photographic technologies merged art and science, and …
Anna Atkins | Artnet
- https://www.artnet.com/artists/anna-atkins/
- This process allowed Atkins to place her specimens directly on top of light-sensitive paper, which turns blue once developed. She captured the silhouettes of ferns, flowers, feathers, and most famously, algae, self-publishing her prints in Photographs of British Algae in 1843.
How 19th-Century Photographer Anna Atkins Changed …
- https://www.mentalfloss.com/article/559356/how-19th-century-photographer-anna-atkins-changed-way-we-look-science
- Anna Atkins (1799–1871), Alaria esculenta, from Part XII of Photographs of BritishAlgae: Cyanotype Impressions, 1849-1850, cyanotype / Spencer Collection, The New York Public Library, Astor ...
Anna Atkins - British Photographer - Hundred Heroines
- https://hundredheroines.org/historical-heroines/anna-atkins/
- Her preferred method of photography, however, was the cyanotype. Cyanotypes were often used to copy notes and plans, as it involves placing an object onto photosensitive paper and exposing it to light. Anna transcended these boundaries by using cyanotypes to capture images of algae and items such as feathers and lace in her other works.
Remembering Women In Photography: Anna Atkins
- https://mouthingoffmagazine.com/women-in-photography-anna-atkins/
- This photographic process is what Atkins became mainly interested in. The cyanotype process involves applying a mix of potassium ferricyanide and ferric ammonium citrate to paper to make it light-sensitive. Objects to be recorded are then placed flat on top of the paper and exposed to UV light, such as sunlight.
Anna Atkins and the cyanotype process – Smarthistory
- https://smarthistory.org/anna-atkins-cyanotype/
- To capture her photographs of algae, Atkins first applied a mixture of UV-sensitive iron compounds to plain paper. After the paper dried, she placed a dried botanical specimen and a label, written on a piece of translucent oiled paper, directly against the newly light-sensitive paper.
The Cyanotypes of Pioneering Photographer Anna Atkins
- https://www.gallery.ca/magazine/your-collection/the-cyanotypes-of-pioneering-photographer-anna-atkins
- Atkins positioned her dried seaweed on the coated paper and placed this under glass in the sunlight. Within minutes, solar energy had worked its sleight of hand and a trace image became visible. Plunged into plain water, the affected iron compounds formed the familiar pigment Prussian blue.
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