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Dada Photographer André Kertész’s Distorted, Haunting …
- https://www.artsy.net/article/artsy-editorial-distorted-haunting-vision-dada-photographer-andre-kertesz
- André Kertész. Distortion #165, 1933. Atlas Gallery. US$5,000–US$7,500. Shadows, surprise, and a hint of the sinister define André Kertész ’s oeuvre. The Hungarian photographer filled his frames with dark humor and the eerie geometries of everyday life. His 1926 picture of a reclining dancer finds a visual rhyme in the twist of its ...
André Kertész. Distortion #34. 1933 | MoMA
- https://www.moma.org/collection/works/46414
- André Kertész Distortion #34 1933 Not on view; Medium Gelatin silver print Dimensions 8 7/8 × 13 1/2" (22.6 × 34.4 cm) Credit Acquired through the generosity of Harriette and Noel Levine ... Photography, Film, Photobook. Apr …
Distortion #51 1933 - The Metropolitan Museum of Art
- https://www.metmuseum.org/art/collection/search/265734
- Distortion #51 1933 André Kertész American, born Hungary. Not on view. Although Kertesz had long been interested in mirrors, reflections, and the idea of distorting the human figure, he did not seriously investigate their photographic possibilities until 1933, when the risqué French magazine Le Sourire commissioned him to make a series of ...
André Kertész | Distortion (1933) | Artsy
- https://www.artsy.net/artwork/andre-kertesz-distortion
- From Atlas Gallery, André Kertész, Distortion (1933), Gelatin silver print, printed 1960's, 12.8 × 7.5 cm
Distortion #6 1933 - The Metropolitan Museum of Art
- https://www.metmuseum.org/art/collection/search/265378
- Distortion #6 1933. Distortion #6. 1933. André Kertész American, born Hungary. Not on view. Kertész accentuated the narrow ribcage and long waist of the ideal contemporary woman by photographing his model in a carnival mirror. If the top half of this beautiful nude resembles those Modigliani painted, the swell of the haunch recalls Mannerist ...
Distortion no 113, 1933, printed later by André Kertész ::
- https://www.artgallery.nsw.gov.au/collection/works/142.1989/
- Distortion no 113 1933, printed later Artist. André Kertész. Hungary, United States of America ... pencil "A Kertesz". Not dated. Credit Purchased 1989 Location Not on display Accession number 142.1989 ... Ford C 1989, ‘André Kertész and the avant garde’, ‘André Kertész and the avant garde photography of the twenties and thirties ...
Distortion #49, 1933 - Andre Kertesz - WikiArt.org
- https://www.wikiart.org/en/andre-kertesz/distortion-49-1933
- ‘Distortion #49’ was created in 1933 by Andre Kertesz. Find more prominent pieces of photo at Wikiart.org – best visual art database. ... Distortion #49 Andre Kertesz. Andre Kertesz Fair Use. Added: 17 Mar, 2014 by yigruzeltil
André Kertész Photography, Bio, Ideas | TheArtStory
- https://www.theartstory.org/artist/kertesz-andre/
- Distortion #49, Paris (1933) Lost Cloud, New York (1937) Washington Square, Winter (1954) ... especially in fashion photography, Kertesz felt that "professional virtuosity" was the enemy of art photography. He made a clear distinction between the two spheres believing that there must be something honest and innate in art photography: "As soon ...
André Kertész: Truth and Distortion - Atlas Gallery | Fine Art …
- https://www.atlasgallery.com/exhibition/kertesz
- André Kertész André Kertész Distortion 165, Paris, 1933 Gelatin silver print, printed 1960s 20.4 x 25.3 cm André Kertész André Kertész Tulipe Mélancolique, New York, 1939 André Kertész André Kertész Les Main De Ma Mere, Budapest, 1919 Gelatin silver print, printed 1960s 12.1 x 17 cm André Kertész André Kertész Rue de Vaugirard, Paris, 1931 […]
Distortion #6, Paris, 1933 - Christie's
- https://www.christies.com/en/lot/lot-5972093
- For photographers, this was a particularly fertile period. Released from the painterly demands of Pictorialism, modernist photography lent way to abstraction and experimentation, as beautifully exemplified by Distortion No. 6. Kertész first experimented with illusory photography in 1930 with his fellow artist Carlo Rim.
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