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Andre Bazin Ontology Of The Photographic Image

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The Ontology of the Photographic Image - JSTOR

    https://www.jstor.org/stable/1210183
    ANDRE BAZIN The Ontology of the Photographic Image TRANSLATED BY HUGH GRAY Before his untimely death in 1958 Andre Bazin began to review and select for publication his post-World War II writings on the cinema. Of the planned four volumes, one was published in 1958, and a second in 1959; the remainder await some competent selective hand.

“Ontology of the Photographic Image” by André Bazin

    https://sites.lafayette.edu/fams202-sp15/2015/02/13/ontology-of-the-photographic-image-by-andre-bazin/
    “Ontology of the Photographic Image” by André Bazin February 13, 2015 Samantha Volk Leave a comment Beginning his essay, André Bazin dives right into the practice of embalming, how ancient Egyptians used to mummify bodies and keep them from decaying. He compares this practice to the birth of the plastic arts.

Andre Bazin’s The Ontology of a Photographic Image: …

    https://medium.com/@hlyresearchandpractice/andre-bazins-the-ontology-of-a-photographic-image-materiality-and-the-digital-23018ec33d7e
    Andre Bazin’s The Ontology of a Photographic Image: Materiality and the Digital. “I would say the question of a photographs materiality has now hit a new wave of questioning. The belief of a print...

The Ontology of the Photographic Image by Andre Bazin

    https://www.wildreflections.photography/uncategorised/the-ontology-of-the-photographic-image-by-andre-bazin
    Bazin argues that the photographic image is the object itself and furthermore the object is freed from the conditions of time and space that govern it. So photography, freezes a moment in time, in life, freed from destiny – it embalms time. “The aesthetic qualities of photography are to be sought in its power to lay bare the realities.

Andre Bazin's "Ontology of the Photographic Image"

    https://www.youtube.com/watch?v=VYJlq-MwWTY
    An overview of film theorist Andre Bazin's landmark essay "The Ontology of the Photographic Image."Part 2: https://youtu.be/3ACkObJhG6o

Bazin, Andre The Ontology of Photographic Image - Archive

    https://archive.org/details/Bazin_Andre_The_Ontology_of_Photographic_Image
    Addeddate 2017-05-02 23:00:32 Coverleaf 1 Identifier Bazin_Andre_The_Ontology_of_Photographic_Image Identifier-ark ark:/13960/t9x11g677 Ocr ABBYY FineReader 11.0

Two Lessons on André Bazin’s “Ontology of the …

    https://intermittentmechanism.blog/2016/12/12/two-lessons-on-andre-bazins-ontology-of-the-photographic-image/
    bazin’s uniqueness claim for photographic representation relies on three main components: photography is automatic (it is mechanically created without human intervention except to set up the apparatus), it is photochemical (its light-sensitive emulsion means that its image is a trace of patterns of light—which, for decades, film theorists have …

Summary Of Andre Bazin's The Ontology Of The …

    https://www.bartleby.com/essay/Summary-Of-Andre-Bazins-The-Ontology-Of-FCCZF3U9ZWR
    In Andre Bazin’s essay, “The Ontology of The Photographic Image”, he argues that one of the defining characteristics and inherent motivations in the production of art and artifacts, be it the mummification of Pharaohs, portraits of Kings and Emperors, is the ‘preservation of life by a representation of life’ (Bazin 238).

The Ontology of the Photographic Image - Semantic Scholar

    https://www.semanticscholar.org/paper/The-Ontology-of-the-Photographic-Image-Bazin-Gray/4ce61c7d368ae000249db85c441a3a707a8ee9c2
    The Ontology of the Photographic Image A. Bazin, H. Gray Published 1 July 1960 Art Film Quarterly Before his untimely death in 1958 Andre Bazin began to review and select for publication his post-World War II writings on the cinema.

André Bazin's Ontology of Photographic and Film Imagery

    https://academic.oup.com/jaac/article/63/4/339/5957356
    André Bazin, “The Ontology of the Photographic Image,” in What is Cinema, vol. 1, trans. Hugh Gray (University of California Press, 1971). David Brubaker’s “André Bazin on Automatically Made Images,” The Journal of Aesthetics and Art Criticism 51 (1993) : 59 – 67 , is an exceptional instance of a careful study of an aspect of Bazin's argument. 3

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