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Amos Badertscher at Schwules Museum - Artforum …
- https://www.artforum.com/picks/amos-badertscher-83236
- Amos Badertscher Schwules Museum Lützowstraße 73 March 6–July 27, 2020 One of the sections in this retrospective of work by the Baltimore-based photographer Amos Badertscher is called “Lost Boy,” named for a character that serves as a veritable emblem for the show. Portraits of these gamins—usually white, usually thin—proliferate throughout.
Rule Breakers: Amos Badertscher - Don't Take Pictures
- https://www.donttakepictures.com/dtp-blog/2014/8/17/rule-breakers-amos-badertscher
- A few years ago a colleague introduced me to the work of Amos Badertscher, a 68 year-old life long resident of Baltimore, Maryland. The black and white images of young hustlers and prostitutes from the Baltimore city streets are unlike anything I have seen before. They are raw and heart breaking, yet innocent and sometimes even humorous.
Amos Badertscher — Online — Don't Take Pictures
- https://www.donttakepictures.com/dtp-blog/tag/Amos+Badertscher
- A few years ago a colleague introduced me to the work of Amos Badertscher, a 68 year-old life long resident of Baltimore, Maryland. The black and white images of young hustlers and prostitutes from the Baltimore city streets are unlike anything I have seen before. They are raw and heart breaking, yet innocent and sometimes even humorous.
Duke University Press - Baltimore Portraits
- https://www.dukeupress.edu/Baltimore-Portraits/
- Amos Badertscher, a self-taught photographer, has had his work exhibited in numerous solo and group shows in Los Angeles and New York. In 1998, Badertscher, a collection of the artist’s photography was published by St. Martin’s Press. His work is included in several anthologies and is the subject of many published articles.
Baltimore Portraits by Amos Badertscher, Paperback
- https://www.barnesandnoble.com/w/baltimore-portraits-amos-badertscher/1103714935
- Amos Badertscher, a self-taught photographer, has had his work exhibited in numerous solo and group shows in Los Angeles and New York. In 1998, Badertscher, a collection of the artist’s photography was published by St. Martin’s Press. His work is included in several anthologies and is the subject of many published articles.
CEPA Gallery : The Art of Photography : Deviant Bodies
- http://old.cepagallery.org/exhibitions/deviant/badertscher.html
- Amos Badertscher wants to understand, and to express what he’s learned from 44 years of meeting lost boys on the streets. He is a participant-observer in the vein of Thomas Painter, a gay man and occasional sex client who, at Alfred Kinsey’s direction, took thousands of photographs of Times Square hustlers in the World War II era.
Badertscher (Stonewall Inn Book/Photographer) by Amos …
- https://www.allbookstores.com/Badertscher-Stonewall-Inn-Book-Photographer/9780312180478
- At once lyrical and intense, Amos Badertscher's photography of the male nude is garnering increasing attention and acclaim. Through his lens one sees a world largely made up of hustlers, drag queens, and runaways; it is an experience that is simultaneously forbidding and alluring. This collection of erotic images is compelling and showcases ...
Amos Badertscher - AbeBooks
- https://www.abebooks.com/book-search/author/AMOS-BADERTSCHER
- Baltimore Portraits by Badertscher, Amos and a great selection of related books, art and collectibles available now at AbeBooks.com.
Amazon - Baltimore Portraits: Badertscher, Amos: …
- https://www.amazon.com/Baltimore-Portraits-Duke-University-Museum/dp/0822323680
- Badertscher’s arresting and melancholy photographs document a culture that has virtually disappeared due to substance abuse, AIDS, and, often, societal or family neglect. The photographer’s focus on content rather than on elaborate technique reveals the intensely personal—and, indeed, autobiographical—nature of his portraits.
Baltimore Portraits: Badertscher, Amos: 9780822323341: …
- https://www.amazon.com/Baltimore-Portraits-Duke-University-Museum/dp/0822323346
- Badertscher’s arresting and melancholy photographs document a culture that has virtually disappeared due to substance abuse, AIDS, and, often, societal or family neglect. The photographer’s focus on content rather than on elaborate technique reveals the intensely personal—and, indeed, autobiographical—nature of his portraits.
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